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The source of those intimate memories and experiences, group exhibition 《How Much Afterglow》

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Oriel Baton, Hannam-dong, Yongsan-gu, will host Faint Afterglow, a group exhibition featuring 9 domestic and foreign artists, until February 18th. [사진 김경아 기자]

Gallery Baton is holding 《How Much Afterglow》, a group exhibition featuring nine domestic and foreign artists, until February 18 (Saturday).

In this exhibition, we explore the source of the artists’ intimate memories and experiences. For the artist himself, the main value of any work is that it is connected to self-reflection in some form. ‘Creation’ starts from choosing the subject to describe, one step away from the artist’s personal experiences and memories.

The afterglow of some memories and emotions the artist has may have faded over time, but the imagination that fills the faded gap is a new reality created by the artist and a window through which one can see who it is. The exhibition space included video, sculpture, photography, painting and installations.

Description, Operative Landscape (series) - Pigeons (2019), oil painting, acrylic colour, birdseye, 72x80x7cm [사진 김경아 기자]
Description, Operative Landscape (series) – Pigeons (2019), oil painting, acrylic colour, birdseye, 72x80x7cm [사진 김경아 기자]
Jin Ham, Inside 2 (2022), polymer clay, aluminum wire, varnish, 10x5.2x3.6cm [사진 김경아 기자]
Jin Ham, Inside 2 (2022), polymer clay, aluminum wire, varnish, 10×5.2×3.6cm [사진 김경아 기자]
김옥선, Untitled_Wolpyung142 (2013), c-print, 100x80cm, Issue 10+2AP [사진 김경아 기자]
김옥선, Untitled_Wolpyung142 (2013), c-print, 100x80cm, Issue 10+2AP [사진 김경아 기자]
Seokwon Park, Red Heart 1845 (1984-2018), wood, 175x45x45cm [사진 김경아 기자]
Seokwon Park, Red Heart 1845 (1984-2018), wood, 175x45x45cm [사진 김경아 기자]
아킴 이노마타, Gogoan, Niigata, from the series “Why Not Hand Over a “Shelter” to Hermit Crabs? -Border-” (2009-ongoing), resin, light box, 5x5x8.5cm, Issue 3 + 2AP [사진 김경아 기자]

In Blue Baton, a separate exhibition space, close-up images of the sun taken by NASA observation satellites are played repeatedly on a large screen, while Hee-seung Jeong’s black-and-white photos, Yun’s ice sculptures -hwan Bae, and paintings by Susan Song and Jae-seok Lee located.

A separate Blue Baton display area [사진 김경아 기자]
A separate Blue Baton display area [사진 김경아 기자]

The exhibition is free to view from Tuesday to Saturday, 10 am to 6 pm

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