28 Years Later’ Cinematography: Alpha Chase Soundstage Secrets
- Filmmakers faced unique challenges bringing the evolved infected to life.
- The upcoming film "28 Years Later" features a terrifying chase sequence set on Holy Island, where characters Jamie and spike, portrayed by Aaron Taylor-Johnson and Alfie Williams, encounter...
- After a hunt-and-kill mission, Jamie and Spike must cross the causeway back to Holy Island.
’28 Years Later’: Holy Island’s Chilling Zombie Chase
Filmmakers faced unique challenges bringing the evolved infected to life.

The upcoming film “28 Years Later” features a terrifying chase sequence set on Holy Island, where characters Jamie and spike, portrayed by Aaron Taylor-Johnson and Alfie Williams, encounter evolved zombies known as Alphas. these Alphas are stronger and deadlier, with one, named Samson, known for ripping off victims’ heads.
After a hunt-and-kill mission, Jamie and Spike must cross the causeway back to Holy Island. The Alpha appears, triggering a life-or-death chase.Finding the right location to film this sequence proved arduous.
Cinematographer Anthony Dod Mantle and the production team scouted locations near Newcastle but found them difficult to control and potentially unsafe. Due to Williams’s age, his working hours were also restricted.
Ultimately, the team transformed a former COVID vaccination center outside Newcastle into a water causeway set. “We built it ourselves, filled it up with water, and it was temperature controlled,” said Dod Mantle. The set was 450 feet long and included a gate.
Visual effects enhanced the sky, using images from an astronomy center to create a pollution-free atmosphere, suggesting cleaner air 28 years after the initial outbreak. The lighting was designed to complement these visuals.
For the chase itself, Dod Mantle and director Danny Boyle aimed for high-speed movement through the water. They used cranes, tracks, and two dollies simultaneously. A bar cam, consisting of an array of iPhones, was mounted on a technocrane to capture close-up shots of Aaron Taylor-Johnson as the Alpha.
Dod Mantle described the filming of the causeway scene as “blissful,” taking three to four days. He noted its blend of beauty, melancholy, and terror.
The film also introduces Slow-Lows,bottom feeders that consume remains left by the infected. Dod Mantle said these creatures bring ”a new introduction of fear” through their stealthy nature.
Dod mantle recalled seeing the prosthetics for the Slow-Lows during testing in London. He highlighted a scene in a bone temple church where Jamie and his mother, played by Jodie Comer, seek refuge. A Slow-Low approaches Jamie, drawn by the scent of his shoelace, which it mistakes for a worm. ”there’s comedy there,but they’re the ones that scare me,” Dod Mantle said.
The film’s approach to zombie kills also presented challenges.With bows and arrows as the primary weapons, Dod Mantle initially worried about the aesthetic. However, the bar cameras helped capture the impact of the arrows in a visually compelling way.
