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5 Albums: Randy Bradbury (Pennywise & 84 Days) - News Directory 3

5 Albums: Randy Bradbury (Pennywise & 84 Days)

December 6, 2025 Robert Mitchell News
News Context
At a glance
  • Okay, here's a breakdown of the text provided, focusing⁢ on the⁣ albums mentioned and the author's opinions:
  • This⁣ is a list of the author's ⁣favorite punk/post-punk albums, ranked (so far) from⁤ 1 to 4.
  • London ⁣Calling - The Clash (Not included in the provided text,⁣ but referenced as the #1 album)
Original source: spin.com

Okay, here’s a breakdown of the text provided, focusing⁢ on the⁣ albums mentioned and the author’s opinions:

This⁣ is a list of the author’s ⁣favorite punk/post-punk albums, ranked (so far) from⁤ 1 to 4.

1. London ⁣Calling – The Clash (Not included in the provided text,⁣ but referenced as the #1 album)

2. The Black Album – The Damned

* ⁤ Key ⁣Qualities: Well-rounded, versatile (can play fast, slow, melodic, ⁤raunchy).
* ⁣ Personal Connection: The author specifically mentions Paul Gray ⁣(bass player) as a major influence on their own playing and a favorite bassist.

3. Suffer – Bad Religion

*⁣ Key Qualities: Powerful, cohesive, melodic, full of harmonies.
* ⁢ Impact: The author believes this album fundamentally changed the sound of punk rock and continues to influence it.

4. No Control – Bad Religion

* Key Qualities: Similar to Suffer but even more cohesive, melodic, and powerful.
* Comparison: The author ‍considers Suffer and No Control to be equally strong contenders for the title of “best punk album ever.” They also ‍mention The Clash’s first⁤ album in relation to these⁣ two.

Overall Impression:

The⁢ author clearly ⁢has a strong appreciation for melodic and powerful punk/post-punk. They⁢ value albums ⁣that demonstrate musical versatility and have a lasting impact⁢ on the genre. Bad Religion is a particular favorite, with Suffer and No Control ⁣being ⁤highly praised.The Damned’s The Black Album is also ⁤held in‍ high‍ regard, especially due to the author’s admiration for Paul Gray’s bass playing.

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