A recent video circulating online captures a playful exchange between Lithuanian performers Irūna Puzaraitė-Čepononienė, known professionally as Irūna, and Marius Jampolskis during a concert introduction. The moment, quickly gaining traction on social media, highlights the long-standing and often self-deprecating dynamic between the duo, who have been collaborating for fifteen years.
Jampolskis, addressing the audience, playfully described Irūna as “the main Lithuanian granddaughter, a woman with whom I can do whatever I want on stage and nothing I want in life. A small person with a big surname – Irūna Puzaraitė-Čepononienė, in a sense, even a little Jampolskienė.” The comment elicited laughter from the crowd.
Irūna responded with her own humorous jab, referring to Jampolskis as “my black spot in life. My stage cohabitant, Marius Jampolskis. Don’t get any ideas.” Jampolskis quipped back, stating he was “already prepared to hear ‘black hole’,” suggesting a familiarity with being portrayed as a disruptive force in her life.
The exchange offers a glimpse into a partnership that has spanned a decade and a half, a period marked by both professional success and personal complexities. While the playful banter suggests a comfortable rapport, reports indicate their working relationship hasn’t always been smooth sailing.
The duo’s history is punctuated by moments of both creative synergy and personal drama. A past interview revealed that a romantic entanglement between Irūna and Jampolskis led to the end of her relationship with another partner. Irūna recounted a situation where a single kiss with Jampolskis during a performance precipitated a breakup. “There have been so many things – and so many breakups happening after kisses, and scenes of jealousy. I didn’t want the first kiss because I had a good relationship with a boy. I had a suspicion that anything could happen… After that one kiss, all the relationships ended immediately,” she stated.
Jampolskis, seemingly embracing his role as a catalyst for romantic upheaval, joked about being a “master of breaking up relationships,” referencing another instance where his involvement in a film led to the dissolution of a couple. He recalled a situation where a co-star, who was engaged, ended her relationship after the premiere of a movie featuring intimate scenes between them. “I asked her if she had prepared her fiancé. She said they had talked, but probably not enough,” he shared.
Despite the occasional romantic complications, the pair acknowledge the enduring public fascination with their dynamic. Jampolskis noted that, even after fifteen years, people still frequently ask if they are a couple, a question he takes as a compliment. This persistent speculation speaks to the chemistry they project on stage and the ambiguity that has characterized their public persona.
Their fifteen-year collaboration hasn’t been without its logistical challenges either. One incident involved Jampolskis forgetting about a concert just thirty minutes before showtime, a testament to the hectic nature of their performance schedule. However, they’ve consistently navigated these hurdles, demonstrating a resilience that has allowed them to maintain a successful partnership.
The recent TikTok video and the accompanying reports underscore the enduring appeal of Irūna and Jampolskis’s act. Their ability to blend musical performance with self-aware humor and a willingness to acknowledge the personal dramas that have unfolded alongside their professional lives has cemented their place in the Lithuanian entertainment landscape. The duo’s longevity suggests a rare ability to navigate the complexities of a long-term artistic collaboration while simultaneously acknowledging the messy realities of human relationships.
While the future holds uncertainty, their current dynamic—characterized by playful ribbing and a shared history—continues to resonate with audiences. The latest exchange serves as a reminder that, even after fifteen years, Irūna and Jampolskis are still capable of surprising and entertaining, both on and off the stage.
