Home » Tech » 938BAR: Cass Martin & Schwarzer Kaffee – Facebook & Contact Info

938BAR: Cass Martin & Schwarzer Kaffee – Facebook & Contact Info

by Lisa Park - Tech Editor

A peculiar online presence, centered around the name “Schwarzer Kaffee” (German for “black coffee”), has garnered a significant following on Facebook. While seemingly simple, the page, and associated online footprints, reveal a curious approach to social media engagement and a fragmented digital identity.

As of , February 17, 2026, the primary “Schwarzer Kaffee” Facebook page boasts over 883,622 likes and 107,755 are currently talking about it, according to Facebook’s metrics. The page’s description is strikingly minimalist: “Hier stehen nur Buchstaben und Wörter. Alles, was sie daraus erlesen, entsteht in IHREM Kopf.” (Here are only letters and words. Everything you read from it arises in YOUR head.) This suggests a deliberate ambiguity, inviting users to project their own interpretations onto the content.

However, the digital landscape surrounding “Schwarzer Kaffee” is more complex than a single, enigmatic Facebook page. A secondary Facebook page exists, identified by the URL https://www.facebook.com/pages/Schwarzer-Kaffee/291652004321551/. This page displays a stream of recent posts indicating engagement with various users – Diana Püschel, Frank Davidson, Hendrikje Neumann, and Stefanie Breitenecker, among others – and associated reaction counts (likes, loves, and comments). The activity suggests a community built around the page, despite the intentionally vague content.

Further complicating the picture is a connection to a website, schwarzer-kaffee.com. This site features a navigation menu including sections for “STARTSEITE” (Homepage), “REELS”, “SHOP”, and “ÜBER UNS” (About Us). A page on this site, accessible via https://schwarzer-kaffee.com/facebook-2/, presents a stark contrast between idealized social media personas. It juxtaposes a Facebook profile portraying a fulfilling family life (“Ich habe einen wundervollen Mann und 3 wohlerzogene Kinder” – I have a wonderful husband and 3 well-behaved children) with an Instagram profile focused on physical appearance and travel (“Ich hab einen tollen Körper, bin immer auf Reisen und esse die ganze Zeit” – I have a great body, am always traveling and eating all the time). A Twitter profile is described with a more cynical tone: “Mir juckt der Arsch und ich hasse euch alle” (My ass itches and I hate you all).

This juxtaposition raises questions about the authenticity of online identities and the curated nature of social media profiles. The website explicitly highlights the disparity between how individuals present themselves on different platforms, suggesting a commentary on the performative aspects of online life. The stark contrast between the idealized family man on Facebook, the perpetually-traveling and physically-fit individual on Instagram, and the openly hostile Twitter user creates a satirical effect.

The presence of a contact page (https://schwarzer-kaffee.com/kontakt/) on schwarzer-kaffee.com suggests a deliberate attempt to establish a brand or online entity, despite the seemingly random and abstract nature of the Facebook content. The inclusion of “REELS” and “SHOP” in the website’s navigation hints at potential monetization strategies, although the current functionality of these sections is not immediately apparent from the available information.

Interestingly, a Facebook profile for “Cass Cass Martin” (https://www.facebook.com/cass.cassmartin/) appears in the initial source material, though its direct connection to “Schwarzer Kaffee” is not explicitly stated. This inclusion may be a data artifact or a tangential element within the broader context of the source material.

The overall impression is one of deliberate obfuscation and social commentary. “Schwarzer Kaffee” appears to be less about delivering specific information and more about provoking thought and highlighting the constructed nature of online identity. The minimalist Facebook page, coupled with the contrasting personas presented on the associated website, creates a compelling, if somewhat unsettling, digital experience. The project seems to be an exploration of how individuals curate their online presence and the gap between perceived reality and the often-artificial world of social media.

The sustained engagement – over 883,000 likes and active discussion – suggests that this approach resonates with a significant audience. It’s a digital Rorschach test, inviting users to find meaning in the ambiguity and reflect on their own online behaviors. The project’s success lies not in what it *says*, but in what it *doesn’t* say, and the space it creates for individual interpretation.

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