Adele Accused of Plagiarism in Brazil, Judge Orders Withdrawal of “Million Years Ago
Adele Faces Global Ban on “Million Years ago” Over Plagiarism Claims
Brazilian composer Toninho Geraes alleges the hit song infringes on his 1990s track “Mulheres.”
Global superstar Adele is facing a potential setback as a Brazilian judge has ordered a worldwide ban on her song “million Years Ago,” citing plagiarism concerns. The ruling,issued by Judge Victor Agustin Jaccoud Diz Torres of the Rio de Janeiro court,stems from a lawsuit filed by composer Toninho Geraes,who claims adele’s hit song infringes on his 1990s composition “Mulheres,” popularized by singer Martinho da Vila.Geraes’ legal team, led by attorney Fredímio biasotto Trotta, asserts they have gathered significant evidence to support their claim. This includes video comparisons, musical score analysis, and testimonies from musicians and listeners.
“We have presented compelling evidence demonstrating the striking similarities between the two songs,” Trotta stated.”We believe this case clearly shows a violation of copyright.”
The judge’s decision mandates a hefty fine of 50,000 reais (approximately $7,700) if the ban is not enforced.
Geraes initially attempted to resolve the issue amicably by contacting Adele and her record labels, including Sony, but these efforts proved unsuccessful.
Frustrated by the lack of response, Geraes’ team filed a lawsuit against Worldwide Music in December 2023, seeking to terminate their contract. In February of this year, they filed a separate lawsuit alleging plagiarism and demanding compensation for damages, including a request for 1 million reais (roughly $155,000) in reparations.
The case has sparked debate among music fans and legal experts, raising questions about the boundaries of musical inspiration and the complexities of copyright law in the digital age.

The outcome of this legal battle could have significant implications for Adele and the music industry as a whole.
Adele Plagiarism Row: Exclusive Interview with Toninho Geraes’ lawyer
NewsDirectory3.com: Fredímio Biasotto Trotta, thank you for taking the time too speak with us about this high-profile case. You’re representing Toninho Geraes, the Brazilian composer who alleges Adele’s “million Years Ago” plagiarizes his 1990s track ”Mulheres.” Could you elaborate on the similarities you see between the two songs?
Fredímio Biasotto Trotta: We have meticulously compared the two compositions, and the similarities are undeniable. Both songs share a striking melodic structure, a comparable rhythm, and even lyrical themes.
Our team has presented compelling evidence in court, including in-depth video comparisons, autonomous musical score analysis, and testimonies from music professionals and listeners who have noted the striking resemblance.
NewsDirectory3.com: Before taking legal action, did Mr. Geraes attempt to resolve the matter amicably with Adele or her record label?
Fredímio Biasotto Trotta: Yes, Mr. Geraes initially sought a peaceful resolution.He reached out to Adele and her record labels,including Sony,expressing his concerns and hoping for an amicable settlement.Unfortunately, these attempts were met with no response, leaving Mr. Geraes with no choice but to pursue legal action.
NewsDirectory3.com: What are Mr. Geraes’ primary goals in this lawsuit?
Fredímio Biasotto Trotta: Mr. Geraes seeks recognition for his original work and fair compensation for the unauthorized use of his musical composition. His key objective is to ensure that his intellectual property rights are respected. This case is not simply about financial gain; it is about upholding the essential principles of artistic integrity and copyright protection.
NewsDirectory3.com: this case has sparked a significant debate about the boundaries of musical inspiration and copyright law. What message do you hope this case sends to the global music industry?
Fredímio Biasotto Trotta: This case serves as a critical reminder that creativity must be respected and that artists have the right to protect their original works. It highlights the importance of acknowledging and fairly compensating composers for their inspirations, irrespective of their nationality or status. We hope this case sets a precedent for ethical practices within the music industry, encouraging transparency and fair treatment of artists worldwide.
NewsDirectory3.com: Mr. Trotta,thank you for sharing your insights on this vital legal battle. We will continue to follow developments in this case closely.
