Amplified Review: Chrissy Amphlett Musical – Australian Theatre
- Sheridan harbridge embodies the late Chrissy Amphlett, Divinyls' frontwoman, in "Amplified," a part-biographical show and part-tribute concert.
- Harbridge's approach in "Amplified" is more suggestive than literal.
- The performance delves into Amphlett's early life in Geelong, portraying it as a challenging habitat marked by abusive figures and industrial grit.
Sheridan Harbridge ignites the stage in “Amplified,” a powerful tribute to Chrissy Amphlett, capturing the spirit of the Divinyls frontwoman with a performance that resonates. this part-biographical show and part-concert spotlights AmphlettS impact on Australian rock music and her undeniable feminist edge. Harbridge doesn’t merely imitate; she channels, bringing alive the essence of a rock icon. The review delves into Amphlett’s early struggles and celebrates her later career, offering a nuanced look at her life. News Directory 3 might be interested in the blend of biography and concert format. “Amplified” is a celebration of Chrissy Amphlett’s lasting legacy. Discover what’s next for this compelling production and its potential to further illuminate the life of a rock legend.
Sheridan Harbridge Channels Chrissy Amphlett’s Spirit in “Amplified”
Updated June 12, 2025
Sheridan harbridge embodies the late Chrissy Amphlett, Divinyls’ frontwoman, in “Amplified,” a part-biographical show and part-tribute concert. The performance seeks to capture the essence of the rock star known for her subversive attitude and feminist edge. While not a precise imitation, Harbridge channels Amphlett’s spirit, offering a loving, though somewhat fragmented, homage to the rock icon.
Harbridge’s approach in “Amplified” is more suggestive than literal. Opening with an energetic rendition of “I’ll Make You Happy,” she captures Amphlett’s vocal inflections and mannerisms, presenting an attitude rather than a full character immersion. This approach becomes both the show’s charm and its limitation in exploring Chrissy Amphlett’s legacy and her impact on the music scene.
The performance delves into Amphlett’s early life in Geelong, portraying it as a challenging habitat marked by abusive figures and industrial grit. Harbridge powerfully conveys this desperation in a rendition of “Boys in Town,” highlighting Amphlett’s desire to escape. The show also touches on Amphlett’s later years in Manhattan, hinting at her decline before her death from cancer. A poignant performance of “Good Die Young” underscores this period.
The show incorporates a narrative device of a final, unrealized solo show in New York, a common trope in musical biographies. However, this structure feels somewhat hesitant, eventually fading away by the conclusion. Director Sarah Goodes aims for a vigorous and coherent production, but the portrait of Amphlett remains somewhat elusive. Those unfamiliar with Amphlett’s life may find the kaleidoscopic approach confusing, even as it celebrates Chrissy Amphlett’s influence on feminism and rock music.
Where “Amplified” succeeds most is in connecting Harbridge’s own feminism with Amphlett’s biography. an early anecdote about amphlett’s impact on Harbridge’s sexual awakening effectively sets up songs like “I Touch Myself.” However, the placement of the song at the end feels like an afterthought, creating a strange ambivalence within the performance.
Harbridge seems focused on the differences between herself and Amphlett, avoiding direct imitation in appearance and sound. while Harbridge brings a musical theater background to the role, Amphlett was a true rock star—messy and defiant. Until Harbridge fully embraces her inner rock goddess,the tribute remains somewhat incomplete in capturing the essence of Chrissy Amphlett’s unique artistry and enduring appeal.
What’s next
Future performances of “Amplified” may explore a deeper connection between Harbridge and Amphlett, possibly solidifying the tribute’s impact and providing a more extensive portrayal of the rock icon’s life and legacy.