German comedian Atze Schröder is offering a glimpse behind the curtain of his public persona with his weekly podcast, “Wat ne Woche.” The show, which translates to “What a Week,” provides listeners with a candid and often humorous look into Schröder’s life, thoughts, and observations, diverging from the polished performances seen on stage, and screen.
Schröder, whose real name is Hubertus Albers, has been a prominent figure in German comedy for over two decades. He rose to fame with the RTL sitcom “Alles Atze” (roughly, “All Atze”) which ran from 2000 to 2007, and continues to tour extensively, blending social commentary with personal anecdotes. Beyond stand-up and television, Schröder co-owns the Quatsch Comedy Club, a well-known venue in Germany, and has authored books including the novel “Und dann kam Ute” and his autobiography “Blauäugig” (roughly, “Blue-Eyed”).
“Wat ne Woche” distinguishes itself from traditional comedy formats by prioritizing intimacy and personal reflection. According to promotional material, the podcast features “the most beautiful stories, the funniest anecdotes, intimate confessions,” and, true to form, playful jabs at celebrity friends. This approach allows Schröder to connect with his audience on a more personal level, moving beyond the character-driven humor that initially brought him recognition.
Recent episodes, as of , demonstrate the podcast’s eclectic range. One episode, released just three days prior, details Schröder’s frustrations with the Hamburg winter and a humorous recollection of a potential hosting gig for RTL’s “Dschungel Show” (Jungle Show). He also shares his anxieties regarding the speed of a new Ferrari model, juxtaposed with a celebration of Bob Marley Day. This blend of everyday gripes, industry anecdotes, and cultural references is characteristic of the podcast’s appeal.
Another recent episode reveals Schröder’s excitement over securing tickets for a Harry Styles concert, a gesture made possible by a friend willing to travel to Sydney for them, though Amsterdam ultimately sufficed. The episode also touches on the social dynamics of Sylt, a popular German island, and the return of Bettina Wulff to the social scene. These seemingly disparate topics are woven together through Schröder’s distinctive comedic voice and observational style.
The podcast’s success appears to be bolstered by Schröder’s active presence on social media, specifically Instagram (@atzeschroeder_offiziell). This cross-promotion strategy allows him to engage with fans directly and extend the reach of the podcast beyond its core audience.
“Wat ne Woche” is hosted on Acast, a podcasting platform, and is available on Apple Podcasts. The podcast’s format aligns with a growing trend in comedy, where performers are leveraging the intimacy of audio to build deeper connections with their fans. Unlike traditional stand-up or television appearances, podcasts allow for extended, unscripted conversations, fostering a sense of authenticity that resonates with listeners.
Schröder’s foray into podcasting also reflects a broader shift within the German comedy landscape. He is not alone in embracing the medium; his work alongside podcasts like “Betreutes Fühlen” (roughly, “Supported Feeling”) demonstrates a willingness among established comedians to experiment with new formats and platforms. This expansion into audio content allows comedians to explore different comedic styles and connect with audiences in new and innovative ways.
The podcast’s appeal also lies in its relatability. Schröder’s humor, rooted in his experiences growing up in the Ruhr area, resonates with a wide audience. He draws on everyday observations and personal stories, creating a comedic lens through which listeners can view their own lives. This ability to connect with audiences on a human level is a key factor in his enduring popularity.
While “Wat ne Woche” is primarily a comedy podcast, it occasionally touches on more serious themes. Schröder’s willingness to share personal anecdotes and intimate confessions suggests a desire to move beyond superficial humor and engage with listeners on a deeper emotional level. This willingness to be vulnerable adds another layer to his comedic persona and enhances the podcast’s overall appeal.
The podcast’s success is a testament to Schröder’s ability to adapt and evolve as a performer. By embracing the podcasting medium, he has found a new platform to connect with his audience and showcase his comedic talents. “Wat ne Woche” offers a unique and intimate glimpse into the life of a beloved German comedian, solidifying his position as a prominent figure in the country’s entertainment industry.
