Australia Taps “Wolves Always Come at Night” for Oscar Race
- Australia has chosen Gabrielle Brady's climate-focused drama "The Wolves Always Come at Night" as its contender for the best international feature film category at the 2026 Oscars.
- the Mongolian-language film, which combines documentary filmmaking techniques with narrative storytelling, centers on herders forced from their land by increasingly destructive weather patterns.
- Australian selection committee members unanimously backed the choice, with a spokesperson noting: "The Australian selection committee are unanimous in their proposal and extremely pleased to put forward 'The...
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Australia Selects ‘The Wolves Always Come at Night’ for 2026 Oscars
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Australia has chosen Gabrielle Brady‘s climate-focused drama “The Wolves Always Come at Night” as its contender for the best international feature film category at the 2026 Oscars.
the Mongolian-language film, which combines documentary filmmaking techniques with narrative storytelling, centers on herders forced from their land by increasingly destructive weather patterns. Real-life herders Davaasuren Dagvasuren and Otgonzaya dashzeveg star in the film while also serving as co-writers alongside Brady.
Australian selection committee members unanimously backed the choice, with a spokesperson noting: “The Australian selection committee are unanimous in their proposal and extremely pleased to put forward ‘The Wolves Always Come at Night’ as Australia’s official submission to the Academy Awards. A striking and original portrait of a family deeply affected by climate change and its devastating effects on their traditional way of life, cultural values and homeland. A notable and brilliantly crafted feature film that everyone in the committee regarded as requisite cinema viewing.”
brady’s sophomore feature following “Island of the hungry Ghosts” has built considerable momentum on the festival circuit since its Toronto Film Festival debut in the Platform Competition. The film subsequently screened at several international festivals including London, Zurich, IDFA, San Francisco International, True/False, and Sydney.
The filmmaker said: “My hope is that our film brings audiences closely into the lives of Davaa and Zaya, who face the sudden upheaval of climate displacement, but who also find ways to resist in the face of irreversible change. As our world confronts the growing realities of climate change, I hope this film can contribute to a deeper understanding of the human cost and the urgent need for collective action.”
Understanding the Meaning: Climate Change and Indigenous Communities
“The wolves Always Come at night” isn’t simply a film about climate change; it’s a deeply personal story about its impact on a specific community – Mongolian herders. This focus is crucial as climate change disproportionately affects indigenous populations and those reliant on natural resources for their livelihoods. The film’s use of real herders as both actors and writers lends an authenticity and weight to the narrative that is often missing in mainstream climate change portrayals.