Berliner Philharmoniker’s US Tour: A Stunning Performance of Rachmaninoff, Korngold, Dvorák, & Bruckner in Boston

The Berliner Philharmoniker is currently on a US tour featuring important works by notable composers. The program includes Sergei Rachmaninoff’s Isle of the Dead, Erich Wolfgang Korngold’s Violin Concerto, Antonín Dvořák’s Symphony No. 7, and Anton Bruckner’s Symphony No. 5. Chief conductor Kirill Petrenko leads the orchestra through these performances.

The tour includes stops in Washington, DC, three concerts in New York City, one in Boston, and additional performances in Ann Arbor and Chicago. I attended the concert at Carnegie Hall, which included Rachmaninoff, Korngold, and Dvořák, as well as the Boston performance focusing on Bruckner’s work.

Both programs featured a smaller orchestra. The Isle of the Dead utilized a larger ensemble, while the Korngold concerto and the symphonies asked for paired woodwinds. This setup allowed some musicians to switch between different pieces. Principal horns Yun Zeng and Stefan Dohr showcased their talents in Dvořák and Bruckner, although the horn section sometimes lacked unity in Bruckner’s work. The principal oboists Jonathan Kelly and Albrecht Mayer delivered outstanding solos.

The rich sound of the strings was evident, guided by concertmasters Noah Bendix-Baxley and Daishin Kashimoto. The orchestra rotated its seating between pieces, fostering a cohesive sound. Bruckner’s Symphony No. 5 benefited from the unique arrangement of violins and cellos, enabling Petrenko to emphasize Bruckner’s intricate writing.

During the first movement of the Bruckner symphony, a lyrical exchange between the second and first violins created a highlight, juxtaposed against a powerful theme. The symphony excels in thematic exchanges, highlighting the orchestra’s remarkable sound while honoring Bruckner’s bicentennial.

Petrenko’s choice to tempo the second movement “Adagio, Sehr langsam” faster than the opening section was noteworthy. This decision enhanced the impact of the outer movements’ meditative parts, avoiding a slow pace that could diminish the music’s effect.

Dvořák’s Symphony No. 7 is known for its structural integrity. Petrenko effectively managed dynamics and tempo contrasts, enhancing thematic development. Instruments engaged in a meaningful dialogue, especially in the second movement, contrasted with the lively folk elements of the finale.

Rachmaninoff’s The Isle of the Dead opens with deep, brooding strings. The piece’s rhythm mimics a boat’s oars on the water, inspired by Arnold Böcklin’s artwork. Petrenko crafted a ghostly dance, elevating the intensity as the violins created awe-inspiring moments through their performance.

Vilde Frang, substituting for the injured Hillary Hahn, delivered an expressive performance of Korngold’s Violin Concerto. Frang’s skill shone in vibrant double-stops, and her powerful finale resonated with audiences.

Petrenko’s conducting style was engaging. He maintained a relaxed demeanor while demonstrating clear leadership, showcasing dynamic contrasts and encouraging musicians with spirited gestures.

His guest appearances in the US are rare, last occurring over a decade ago. Audiences hope for more frequent performances from Petrenko in the future.

Photos: Rob Davidson and Stefan Cohen.