Best Albums 2025: Top Picks So Far
Discover the best albums of 2025 so far, featuring a diverse range of musical talents! We’ve curated the top picks, showcasing the latest releases from Alan Sparhawk, Arcade Fire, Bad Bunny, adn more. These albums are already making waves, blending genres from indie rock to Latin pop. Explore Alan Sparhawk’s collaboration with Trampled by Turtles and Bad Bunny’s ode to Puerto Rico. Find fresh sounds, plus insights into Bootsy Collins and FKA Twigs’ newest work. Featuring the latest reviews, News Directory 3 has curated the top albums to add to your library this year. Discover who else made the list, what critics are saying, and experience the cutting edge of music. Discover what’s next in music exploration!
Best Albums of 2025 So Far: Sparhawk, Arcade Fire, Bad Bunny & More
Updated June 02, 2025
as 2025 hits its midpoint, several artists have released albums that have resonated with critics and fans alike. These albums span genres from indie rock to Latin pop, offering a diverse range of sounds and experiences.
Alan Sparhawk’s With Trampled by Turtles is a collaboration with the Duluth-based band. This album explores themes of grief and loss, building upon Sparhawk’s previous solo work, White Roses, My God.
Arcade Fire’s seventh album, Pink Elephant, has divided some longtime fans, but it has also drawn in new listeners with its unique soundscapes. Matt Thompson noted the album’s ability to captivate from the opening track.
Bad Bunny’s I had to throw more photos is described as his best album to date, honoring Puerto Rican music and taking an anti-colonial stance. E.R. Pulgar notes that Benito rewrites the playbook while keeping his ethics intact.
Bartees Strange’s Horror confronts modern life’s challenges with genre-bending indie rock. Brendan Hay highlights the album’s honesty and confidence.
Bootsy Collins’ Album of the Year features Snoop Dogg and other special guests, delivering infectious funk grooves. Kyle Eustice describes it as an invitation to the best party on the planet.
borja’s When we agree marks his evolution from indie darling to Latin pop heartthrob. Lucas Villa notes the album’s embrace of surf rock and its recounting of fleeting romance.
Djo’s The Crux is a quirky and fun album that blends various musical styles. Matt Thompson describes it as “fun time with a quirky friend.”
Domino Kirke’s The Most Familiar Star explores themes of change and acceptance through textured soundscapes. Lily Moayeri highlights the album’s exploration of identity, love, and loss.
Eiko Ishibashi’s Antigone marks her return to song-based material, delivering mournful serenades. Reed Jackson notes the album’s alchemization of avant-garde leanings into dystopian torch songs.
Ela Taubert’s Questions at 11:11 translates her love of pop music into Spanish. Lucas Villa highlights the album’s diary-like stories spun into Latin pop gold.
FKA Twigs’