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Billy Idol: "Dying to Live" - Oscar Nomination & Doc Story - News Directory 3

Billy Idol: “Dying to Live” – Oscar Nomination & Doc Story

January 14, 2026 Robert Mitchell News
News Context
At a glance
  • Billy Idol's heyday may have been the 1980s, but he has never gone away.
  • Indeed, since the darkest days of the ⁤pandemic, when "Dancing with Myself" experienced a resurgence in ‍popularity (for obvious reasons), he⁤ has released two EPs (2021's The Roadside and...
  • During a conversation at ⁢Idol's home high in the Hollywood hills, on ⁢a spacious property that he has owned since moving from New York to L.A.
Original source: hollywoodreporter.com

Billy Idol‘s heyday may have been the 1980s, but he has never gone away. The English punk-turned-rock singer/songwriter – a three-time Grammy nominee who was a key part of the MTV-driven “Second British Invasion” of America, with hits including “Dancing with Myself,” “White Wedding,”‍ “Cradle ‍of Love,” “Eyes Without a face,”‍ “To be a Lover” and a chart-topping cover of ‍”Mony ‍Mony” – is now 70,⁢ a grandfather and leading a much ⁣quieter life than he did during his hard-partying days. but his spiky blonde hair, trademark sneer and seductive voice are all still ⁤there. And ‍the last five years have included as many wins for him as any such stretch.

Indeed, since the darkest days of the ⁤pandemic, when “Dancing with Myself” experienced a resurgence in ‍popularity (for obvious reasons), he⁤ has released two EPs (2021’s The Roadside and 2022’s The Cage) and a‍ studio ⁣album ⁤(his first in 11 years, 2025’s Dream into It); toured north America with old pal Joan Jett; and collaborated with ⁢ardent admirer⁢ Miley Cyrus on “Night Crawling,” a song on her 2020 album Plastic ⁤Hearts. He‍ was honored with a star on the‍ Hollywood Walk of ⁣Fame ⁤in 2023 and nominated for induction into ⁣the Rock and Roll Hall of Fame in 2025. And now, in the 50th ‍year ⁢of his career, he is, for the first time, shortlisted for an Oscar – best original song – for “Dying to Live,” a reflective ballad that he⁣ co-wrote with Oscar-nominated songwriter J. Ralph to play over the closing ⁢montage of ⁢ Jonas Akerulund‘s documentary Billy Idol Should Be⁤ Dead.

During a conversation at ⁢Idol’s home high in the Hollywood hills, on ⁢a spacious property that he has owned since moving from New York to L.A. in 1988, he discussed the doc, ⁣the song and the feeling of‍ being Oscar-shortlisted. Excerpts of the conversation, lightly⁣ edited for clarity and brevity, follow.

On why he ⁢decided to cooperate with the documentary starting in 2019…

“As ⁢you get into your 60s and 70s, you ⁢have a vantage point that⁣ you didn’t ‍have before, and you can see the landscape of your life, really, and you’re in a position to look at it and quantify it and be able‍ to talk ab

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