Budos Band: Seven Steps to Heaven Review
- The Budos Band, known for thier instrumental prowess, are releasing their seventh album, VII, on May 30.This release, five years after Long in the Tooth, stays true to...
- While not venturing into extended guitar solos, the band blends genres reminiscent of their 2014 album, Burnt Offering, which fused Fela Kuti influences with Deep Purple's sound.
- The album maintains the band's signature sound: a mix of guitar, electric organ, and hard-hitting rhythms accented by brass, including saxophone, trombone, and trumpets.
The Budos Band’s “VII” album is here, and it’s a triumphant return to their instrumental roots.This collection, the band’s first on Diamond west Records, dives deep into their signature blend of funk, psychedelic rock, and global influences — creating a “zesty jambalaya” of sound. Expect a rich tapestry woven with electric organ, hard-hitting rhythms, and surprising brass solos, as seen in tracks like “Kudzu Vine” and “The Strigoi.” The album represents their continued evolution in the jam band scene. News Directory 3 is your go-to for breaking music news. From the hints of Indian psych to the cinematic funk, “VII”‘s diverse soundscapes promise a listening experience that’s both familiar and fresh. Discover what’s next for this ever-evolving band.
Budos Band Keeps the Instrumental Grooves Going on ‘VII’
Updated May 30, 2025

The Budos Band, known for thier instrumental prowess, are releasing their seventh album, VII, on May 30.This release, five years after Long in the Tooth, stays true to their jam band origins, emphasizing grooves and diverse musical styles.
While not venturing into extended guitar solos, the band blends genres reminiscent of their 2014 album, Burnt Offering, which fused Fela Kuti influences with Deep Purple’s sound. VII,written and recorded spontaneously,showcases the band’s confidence and experience.
The album maintains the band’s signature sound: a mix of guitar, electric organ, and hard-hitting rhythms accented by brass, including saxophone, trombone, and trumpets. Unexpected solos, such as the baritone sax in ”Kudzu vine” and the trumpet in “The Strigoi,” add to the album’s appeal. Organ and synths in tracks like “Lair of 1,000 Serpents” evoke the feel of “Burnt Offering,” while drums and percussion provide a swinging backdrop. The result is a flavorful mix, described as a “zesty jambalaya” of sound.
VII marks the band’s debut on Diamond West Records, co-founded by Budos saxophonist Jared Tankel and guitarist Tom Brenneck. Diamond West focuses on eclectic material, reflected in VII‘s Moorish trumpet lines and Mediterranean influences. “Sharky’s Delight,” driven by organ and keys, features an electrified harp sound and hints of Indian-influenced psych, dub, and even the Doors. In contrast,”Curse of the Ivory Fang” delivers American funk with horns,bass,and percussion. Both tracks create a cinematic, retro vibe.
What’s next
While VII may not drastically alter The Budos Band’s direction, it refines their sound, incorporates new ideas, and keeps their musical stew cooking.
