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Cassie Kinoshi & Ensemble intercontemporain: Anarchic New Music Review

Cassie Kinoshi & Ensemble intercontemporain: Anarchic New Music Review

May 28, 2025 Catherine Williams - Chief Editor Entertainment

Experience the energy of‌ Cassie Kinoshi’s anarchic new music, showcased at the recent Barbican performance! This insightful review delves into Kinoshi’s “[Untitled]” piece, a vibrant confluence of live turntabling by NikNak, compelling video⁢ from Julien creuzet, and dynamic choreography by tyroneisaacstuart. We explore the ​piece that built momentum through bass lines and trumpet melodies, culminating in⁣ a stunning symphony of⁢ turntable sounds.⁣ the concert also ‍celebrated pierre ⁢Boulez’s ​centenary, featuring Ensemble intercontemporain and a new work by Hannah Kendall. Discover the fusion of modern and⁣ innovative music,including the use of the primarykeyword,new music,and the potential for the secondarykeyword,Barbican performance. News​ Directory 3 brings you this review. What other⁣ sonic explorations await? Discover what’s next.

Key‍ Points

  • Barbican celebrated Pierre Boulez’s centenary with a performance.
  • Ensemble intercontemporain performed, but ‍drew a⁤ small crowd.
  • Hannah ​kendall ⁣and Cassie Kinoshi ⁢premiered new‍ works.

Boulez Centenary Celebration Features new Musical Visions

‌ ⁣ updated May ⁤28, 2025
⁢ ⁤ ​

London’s Barbican center ‍recently hosted a performance as part of its celebration‍ of the Pierre Boulez centenary. despite featuring‍ the ​Ensemble intercontemporain,⁣ the composer’s ​own new music ensemble, the event drew‍ a smaller audience than anticipated. boulez, known‌ for his contributions⁤ to⁢ modern music, once quipped that “you always find 200 fanatics,” stressing the importance of expanding that base.

The performance included Boulez’s “Sur incises,” conducted ⁣by Nicolò‌ Umberto Foron.​ however, the‌ first half of⁤ the program garnered‍ more⁣ enthusiasm, showcasing new‍ works by British composer Hannah Kendall and composer, saxophonist, and bandleader Cassie Kinoshi.

Kendall’s‌ piece, which previously won​ an Ivor Novello award, explores themes⁣ from Cuban writer Antonio Benítez-Rojo’s concept of ⁤the “Plantation Machine.” The score incorporates pitched white noise and walkie-talkie speech. A notable moment features music boxes and harmonicas creating⁣ ethereal soundscapes.

Kinoshi’s “[Untitled]” incorporated live⁢ turntabling by ​NikNak, video by Julien Creuzet, and choreography⁤ by tyroneisaacstuart.The piece built momentum through bass lines and trumpet ⁤melodies, culminating in a symphony of turntable sounds.

What’s next

The Barbican will continue ‌its exploration of 20th and 21st ⁢century composers,⁤ with upcoming performances showcasing ⁢a range of modern‍ musical styles and innovations.

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