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Cecilia Bengolea: Dancehall Film & VF Reverb Interview - News Directory 3

Cecilia Bengolea: Dancehall Film & VF Reverb Interview

July 9, 2025 Marcus Rodriguez Entertainment
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Original source: factmag.com

# Cecilia Bengolea’s ‘Shelly Belly Inna Real Life’‍ at 180 ‍Studios – A Deep Dive into Sonic sculpture

Immerse yourself in a groundbreaking fusion of sound,sculpture,and movement with Cecilia Bengolea’s *Shelly Belly Inna Real Life* ‍at 180 Studios in London. This isn’t just an exhibition; ⁢its an experience⁤ that redefines how we perceive the relationship between the body, music, and space. Let’s explore what makes this installation⁢ so captivating and how you can experience it for yourself.

## A Sonic and Sculptural Landscape

bengolea,known for her exploration of the human form in motion,has created a truly unique environment at 180 Studios. *Shelly Belly Inna Real Life* centers around a custom-built sound system and a series of undulating, biomorphic sculptures.⁣ These aren’t static objects; they *respond* to the music, vibrating and shifting, creating ⁤a palpable, almost living presence.

The ‍exhibition draws heavily from the vibrant world of dancehall music,specifically the work of Shelly⁣ Belly,a Jamaican sound system pioneer. bengolea’s work isn’t simply *about* dancehall; it’s a visceral translation ⁣of its energy, its physicality, and its ‍cultural⁤ significance. You’ll feel the bass resonate through your body, mirroring the movements and rhythms of the dance floor.

Cecilia Bengolea's 'Shelly Belly Inna Real Life' at 180 Studios

## Experiencing *Reverb* at 180 Studios

*Shelly Belly inna Real Life* is part ⁤of the larger *Reverb* exhibition at 180 Studios, a space dedicated to immersive audio-visual experiences. 180 Studios itself is a remarkable venue, housed within a former BBC broadcasting studio on the Strand. The space’s unique ⁣acoustics and architectural features are perfectly suited to Bengolea’s sonic sculptures.

What can you expect? Prepare to be ⁢enveloped in sound. The installation isn’t⁣ about passive observation;⁢ it’s about *feeling* the music. The sculptures

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