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Cecilia Giménez,Restorer of the “Ecce Homo,” Dies in Borja
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Published December 30,2023 (Updated December 30,2023 at 08:17 PST)
Cecilia giménez,the Spanish amateur artist whose well-intentioned but disastrous restoration of the “Ecce Homo” painting in Borja,Spain,in 2012 sparked a global sensation,has died at the Lar de sancti Spiritus residence in Borja. She was 88 years old. Her death marks the end of an era for the small town and brings closure to a story that unexpectedly thrust Borja into the international spotlight.
The accidental Restoration
In August 2012, Cecilia Giménez, a local resident, took it upon herself to restore the centuries-old fresco of “Ecce Homo” (“Behold the Man”) at the Sanctuary of Misericordia in Borja, Zaragoza province. The painting, created by Elías García Martínez in the early 20th century, was showing signs of deterioration due to humidity and age. Without professional training, Giménez applied layers of paint, resulting in a dramatically altered image that bore little resemblance to the original.The Guardian reported on the initial outcry and the painting’s transformation.

The resulting image,frequently enough described as resembling a “potato head,” quickly went viral,becoming a global internet meme. Initial reactions ranged from shock and amusement to outrage from art experts. However,the incident also sparked a debate about art restoration,amateur intervention,and the value of cultural heritage.
Global Attention and Unexpected Tourism
The story of the “Ecce Homo” restoration quickly spread across the globe, attracting media attention from major news outlets including The New York Times and the BBC. The Sanctuary of Misericordia,previously a relatively unknown site,became a pilgrimage destination for curious tourists.
By the end of the decade, Borja was receiving over 10,000 visitors annually, totaling more than 200,000 people sence the restoration became widely known. This influx of tourism provided an unprecedented boost to the local economy and put Borja firmly on the international map.
A Movement for Preservation and Artistic Inspiration
The Movement for Preservation
Cecilia Giménez’s actions, despite the initial controversy, inadvertently mobilized experts in art and heritage. A movement for the preservation of the restoration emerged on social media, with many advocating for leaving the altered painting as a testament to the incident and its cultural impact.
The event inspired several artistic works. Marco Rosatto’s documentary, “Mis Ecce Homos,” premiered on the tenth anniversary of the restoration’s revelation, based on research by Antonia Rodríguez. Additionally, Paul Fowler and Andrew Flack collaborated on the opera “Behold the Man,” which debuted at the University of Arizona’s Evelyn Smith Music Theater.These projects explored the themes of faith, restoration, and the role of the amateur in art.
