Color Your World: Adobe Unveils Groundbreaking Update for Premiere Pro (Beta)
- As the demand for short and long-form content continues to rise, video editors need to work faster and more efficiently.
- Based on feedback from the video editing community, Adobe Premiere Pro (Beta) introduces an all-new color management system that instantly converts RAW and Log formats from nearly any...
- In addition to color management, Adobe Premiere Pro (Beta) also brings significant speed and performance updates.
Unlock Faster Video Editing with Adobe Premiere Pro (Beta)
As the demand for short and long-form content continues to rise, video editors need to work faster and more efficiently. To meet this demand, the latest version of Adobe Premiere Pro (Beta) delivers major color management and performance updates to help editors deliver video projects faster than ever before.
Based on feedback from the video editing community, Adobe Premiere Pro (Beta) introduces an all-new color management system that instantly converts RAW and Log formats from nearly any camera into color-correct footage on import, without the need for LUTs. This new system is the first step in providing a more powerful, accessible, professional color workflow for video editors using Adobe Premiere Pro.
In addition to color management, Adobe Premiere Pro (Beta) also brings significant speed and performance updates. A new context-sensitive Properties panel brings together the tools editors need, allowing them to modify multiple clips simultaneously, reducing mouse travel, and additional hardware acceleration for faster playback of AVC and HEVC codecs and three times faster ProRes export makes this the fastest Adobe Premiere Pro ever.
Color Management
Today’s cameras can shoot RAW and Log media that contain more color and dynamic range data than your monitor can display. To convert this data into a color space that your computer can process and your monitor can display, Adobe Premiere Pro’s new color management system intelligently tone maps the data into the working color space to preserve the highest level of data and quality.
The new Adobe Premiere Pro Color Management brings all these technologies together, making it easy to work with RAW and Log formats natively in Adobe Premiere Pro. It automatically normalizes RAW and Log media without adding LUTs, and leverages all the data in the color pipeline to give you better control and beautiful images.
Color management in Adobe Premiere Pro has the following features:
- An all-new color management system that automatically converts RAW and Log footage from almost any camera to SDR and HDR allows users to start editing immediately without having to spend time managing LUTs.
- Offers a new wide gamut working color space, larger than the HD Rec. 709 working space, within which all image processing operations are possible.
- The Sequence Settings and Lumetri Color Settings have six simple presets allowing users to work on legacy projects in traditional Rec.709 or easily work in the new wide gamut color ACEScct.
- Popular effects like Lumetri are now color space aware, giving you smoother and more flexible control over skin tones, balance, and creative looks when working with wide color gamut compatible presets.
- Maintain consistent color and lighting when motion designing and compositing clips on top.
New Properties Panel
The new Properties panel makes Adobe Premiere Pro easier for beginners to learn and even faster video editing for experienced professionals. This panel provides an easy, all-in-one view of the most popular effects, adjustments, and tools, showing everything an editor wants to adjust based on the media type selected in the timeline (video, audio, graphics, or captions) and hiding everything else.
The Properties panel lets you do new things, like crop video directly from the Program Monitor, or highlight and adjust the properties of multiple clips and graphics at the same time. The consolidation of the most frequently used tools into a single panel, the ability to directly manipulate images (crop and reposition) using on-screen controls, and the ability to batch process multiple clips at once is a game changer for anyone who edits in Adobe Premiere Pro.
Faster Performance and Modern Design
We’ve been working hard to make Adobe Premiere Pro faster and more reliable for every task. More hardware acceleration improves playback speeds for AVC and HEVC codecs, and ProRes export is up to three times faster, so editors can get work done and deliver to clients faster.
we have a new modern and consistent design. It offers a customizable look and feel with two dark modes, a light mode, and a high-contrast accessibility mode. More readable and consistent fonts and typography make it stand out from the rest.
