Controversy Surrounds I Must Die Movie Billboards in Indonesia
- A massive outdoor advertising campaign for the Indonesian horror film Aku Harus Mati (I Must Die) has been dismantled across Indonesia following significant public backlash.
- The campaign was pulled 24 hours ahead of its intended schedule after a wave of criticism emerged on social platforms, including Threads.
- Produced by Rollink Action, Aku Harus Mati was set for release on April 2, 2026.
A massive outdoor advertising campaign for the Indonesian horror film Aku Harus Mati
(I Must Die) has been dismantled across Indonesia following significant public backlash. Producer Iwet Ramadhan confirmed on April 4, 2026, that all 36 billboards used in the promotion are being removed.
The campaign was pulled 24 hours ahead of its intended schedule after a wave of criticism emerged on social platforms, including Threads. The billboards featured ominous red eyes accompanied by the phrase I Must Die
, which critics and public health advocates argued was tone-deaf given the current global focus on mental health awareness.
Production and Narrative Context
Produced by Rollink Action, Aku Harus Mati
was set for release on April 2, 2026. Directed by Hestu Saputra and written by Aroe Ama, the film blends psychological horror with themes of inner conflict and self-discovery.

The plot centers on Mala, played by Hana Saraswati, an orphan who becomes consumed by ambition after moving to the city. In her pursuit of recognition and success, Mala falls into debt and is pursued by collectors. The story follows her return to her childhood orphanage, where she reunites with friends Tiwi, played by Amara Sophie, and Nugra, played by Prasetya Agni, and encounters a mysterious figure named Ki Jago, played by Bambang Paningron.
Executive Producer Irsan Yapto stated that the film explores the social pressure to appear successful, particularly the culture of flexing
on social media. According to Yapto, this pressure often leads individuals to take impulsive shortcuts to achieve recognition, which the film intends to use as a reflection on ambition and its dark consequences.
The Conflict Between Marketing and Public Sensitivity
Despite the film’s internal themes of integrity and the dangers of ambition, the external marketing strategy faced immediate scrutiny. The campaign had successfully cleared the Lembaga Sensor Film (LSF) and met all legal intellectual property requirements, yet it failed to gain what industry observers describe as a Social License
.
The use of the phrase I Must Die
in urban centers was criticized for being intrusive rather than immersive. Sarah Mitchell of MediaCom noted that outdoor advertisements requiring content warnings generally indicate a failure in the marketing approach.
The backlash reached a point where the DPRD Surabaya requested that the Satpol PP take firm action against horror videotrons located at PTC. The Perhimpunan Dokter Spesialis Kedokteran Jiwa Indonesia (PP DSKJI), the association of psychiatrists, weighed in on the viral nature of the billboards regarding their impact on mental health and the suggestion of suicide.
Industry Implications
The incident is being viewed as a masterclass in marketing failure due to the disconnect between the film’s intended moral message and the shock tactics used in its promotion. While disturbance marketing
has been used successfully in the past for films like The Blair Witch Project
or Smile
, the response to Aku Harus Mati
suggests a shift in audience expectations in 2026.
The removal of the billboards on April 4, 2026, serves as an emergency exit for the production team, though the reputational damage remains. The situation highlights a growing trend where government and legal approval are insufficient to protect a campaign from public outcry if the content is perceived as insensitive to mental health issues.
