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Edinburgh Children’s Festival Review: Theatre Highlights

Edinburgh Children’s Festival Review: Theatre Highlights

May 28, 2025 Catherine Williams - Chief Editor Entertainment

Dive ​into the heart of the Edinburgh Children’s⁤ Festival with our review ⁣of the most imaginative theater highlights! Discover how shadow play by Tangram⁤ Kollektiv flips the script in⁤ “Shades ‌of Shadows,” turning the ordinary into ⁤the unusual. Witness the backstage chaos and comedic brilliance ⁢of compagnie Barbarie’s “Grown ups,”‍ where everyday surrealism meets playful theater.Explore Greg Sinclair’s “Tongue Twister,” a‍ sensory voyage through⁣ language, music, and design, using colorful props too bring phrases to life. News Directory ⁣3 ‍provides insights into these unique productions, promising ​a rich experience for younger viewers. Eager​ for more?‍ Discover what’s next in​ the world of children’s theatre at the⁢ Edinburgh International Children’s Festival!

Key Points

  • Tangram Kollektiv⁣ presents‌ shadow play where shadows misbehave.
  • Compagnie⁢ Barbarie’s​ “Grown‍ Ups” blends backstage chaos with comedic theater.
  • Greg Sinclair’s “Tongue ⁢Twister” explores language through music and design.

Edinburgh Festival Showcases surreal Theatre for Young Audiences

Updated May 28, 2025

The Edinburgh International Children’s Festival is featuring innovative ⁣performances, including shadow play and
⁣ ‌ surreal ⁤theatre,⁢ designed ⁤to captivate young audiences.Among the​ highlights are Tangram Kollektiv’s “Shades of
⁢ Shadows” and compagnie Barbarie’s “Grown Ups,” both offering unique theatrical⁢ experiences.

In “Shades of Shadows,” the ‌German-French company Tangram Kollektiv,‍ featuring performers Sarah Chaudon ‌and Clara
Palau y Herrero,⁤ presents a world where shadows defy expectations. The performance begins with‍ a shadow ‌puppet
show reminiscent of Dr. Seuss, but quickly evolves into a surreal exploration of light‌ and movement.

The performers mimic a scene of ​a couple drinking, but soon the shadows take on a life of their own. A puppet
⁣ ⁤‍ emerges from a lightbulb, objects float, and light transforms in unexpected ways. Chaudon multiplies herself,
giving each shadow distinct gestures ‌in a display of inventive choreography.

A scene from Compagnie Barbarie's 'Grown Ups' showing adults engaged in playful antics.
Adults’ antics in Compagnie Barbarie’s “Grown Ups.” Photograph:⁤ Franky Verdickt

Another highlight is Compagnie Barbarie’s “Grown Ups,” ‌a production from Brussels’ Bronks theatre. The play
starts with random objects crossing ​an empty ⁤stage, ​accompanied by tuneless whistling. Performers Sarah Vangeel,
​ ⁣ Liesje De Backer, ⁤Amber Goethals, and Lotte Vaes appear absorbed in mysterious tasks, creating a sense of
‍ ​ everyday surrealism.

The performers⁢ engage in reckless activities,⁣ wielding electric⁢ blades and immersing live wires ‍in water.
⁢ ‌ However, the production ⁢takes a turn when the crew notices the audience and attempts to perform theatre, leading
to comedic and thought-provoking moments.

Greg sinclair performing 'Tongue Twister' at the North edinburgh ​arts Center.
Greg Sinclair’s Tongue Twister. Photograph: Laurence​ Winram

Greg ⁢Sinclair’s ​”Tongue Twister” at North Edinburgh Arts ⁢Centre adds to the festival’s surreal offerings.Sinclair tackles tricky phrases from various languages, emphasizing the sensory aspects of‍ music, movement, and
​ ⁢ design. Costume designer Alison Brown brings these phrases to life through imaginative props and visuals.

The stage becomes filled with ⁣colorful ⁤props,⁣ enhancing the playful possibilities of the spoken word. The
Edinburgh International ‌Children’s Festival continues to ⁤showcase quality theatre for young audiences ⁤through
‌ these inventive and ‍engaging ​performances.

What’s next

The Edinburgh International Children’s Festival ⁤continues at various venues ⁢through⁣ June 1, ⁤promising more
innovative and​ engaging performances for young audiences.

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