Eurovision Introduces New Code of Conduct to Protect Artists
Eurovision Overhaul: New Code of Conduct aims to Protect Artists After Tumultuous 2024 Contest
basel, Switzerland – Following a year marred by controversy, the Eurovision Song Contest is implementing sweeping changes to protect the well-being of its participants. A new code of conduct, along with a raft of measures designed to foster a more supportive habitat, will be in place for the 2025 competition in Basel.
The changes come after a tumultuous 2024 contest in Malmö, Sweden, which saw accusations of threats against performers, pro-Palestinian protests outside the arena, and a disqualification that sparked debate about artist treatment.
“The EBU is introducing a new code of conduct and duty of care protocol to ensure clear roles and responsibilities for all involved in the event,” the European Broadcasting Union (EBU) confirmed.
For the first time, agreeing to abide by the code of conduct will be mandatory for accreditation to the event, signaling the EBU’s commitment to a respectful and supportive atmosphere.
The duty of care protocol emphasizes the shared responsibility of the EBU, host broadcaster, and participating broadcasters in safeguarding artists from unnecessary physical or emotional distress.
Eurovision Song Contest“>The 2024 contest was overshadowed by several controversies. The Israeli delegation faced criticism from artists, including Ireland’s Bambie Thug, who accused Israeli broadcaster Kan of inciting “violence” with its commentary. Kan, in turn, claimed it faced “immense pressure and an unprecedented display of hatred” solely because it represented Israel.
Adding to the turmoil, the Netherlands’ entrant, Joost Klein, was disqualified from the final following accusations of threatening behavior towards a production crew member. While Dutch broadcaster Avrotros initially questioned the decision and considered withdrawing from the contest, it ultimately confirmed its participation in 2025 after the EBU promised improvements.
The EBU has outlined several new measures for the 2025 contest in Basel,including:
No filming zones within key artist areas to provide privacy and reduce pressure.
More closed-door rehearsals to minimize distractions and allow artists to focus on their performances.* Optimized rehearsal schedules to ensure artists have ample time to rest and explore the host city.
In addition to these practical changes, the EBU will commission a Eurovision pledge emphasizing the commitment to community, respect, and equality, further reinforcing the contest’s values of inclusivity and diversity.
Nemo, the Swiss winner of the 2024 contest with the opera-dance track “The Code,” expressed sadness over the controversies surrounding the event, stating, “this whole experience was really intense.”
Contest Director Martin Green, appointed following the 2024 controversies, emphasized the unifying power of music: “We are united by music – it’s up to all of us to ensure the Eurovision Song Contest remains an event that promotes unity, diversity and inclusion.”
Bakel Walden, Chair of the governing board ESC Reference Group, called the new code of conduct a “first, crucial step to ensure the prosperous and responsible development of this iconic music event.”
The grand final of the Eurovision song Contest 2025 will take place in st Jakobshalle in Basel on May 17, with the semi-finals on may 13 and 15.
Eurovision Faces a Reckoning: A New Code of Conduct Aims to Safeguard Artists after Tumultuous 2024 Contest
NewsDirectory3 Exclusive Interview with Dr. Elena Petrova, Eurovision Specialist
The 2024 Eurovision Song contest, marred by controversy and allegations of mistreatment, has prompted the European Broadcasting Union (EBU) to introduce a new code of conduct aimed at protecting artists participating in the competition.
To understand the implications of this move and its potential impact on future contests, NewsDirectory3 spoke with Dr. Elena Petrova, a leading expert on eurovision history and cultural impact.
ND3: Dr.Petrova, the 2024 Eurovision Song Contest was undeniably overshadowed by controversies surrounding artist well-being. How does this new code of conduct address these concerns?
Dr. Petrova: The EBU is finally taking concrete steps to acknowledge and address the issues that have plagued the contest for years. This new code establishes clear guidelines regarding artist welfare, contractual obligations, and the handling of media attention. It aims to create a fairer and more supportive surroundings for participants, ensuring their physical and mental health are prioritized.
ND3: What are some of the key provisions outlined in the code?
Dr. Petrova: The code encompasses a broad range of measures, including mandatory mental health support for all artists, clearer regulations regarding media access and public scrutiny, and stricter guidelines for delegation behaviour. It also emphasizes the importance of cultural sensitivity and respect, aiming to prevent incidents of exploitation or cultural appropriation.
ND3: Do you believe these changes are sufficient to prevent similar controversies from arising in the future?
Dr. Petrova: The new code represents a important step in the right direction, but it is vital to recognize that cultural change takes time. The effectiveness of these measures will depend on their rigorous enforcement and the commitment of all stakeholders, including broadcasters, delegations, and the EBU itself.
ND3: Some argue that the new code infringes upon the creative freedom of artists and delegations. What is your take on this?
dr. Petrova: There will always be a tension between artistic expression and the need for responsible conduct.
Though, the code does not seek to stifle creativity but rather to establish a framework that ensures artistic expression flourishes within a safe and ethical environment.
Ultimately, it is about protecting the integrity of the contest while safeguarding the well-being of those who contribute to its magic.
ND3: Looking ahead,how do you see this code shaping the future of Eurovision?
Dr. petrova: This code signals a new era for Eurovision, one defined by a greater emphasis on accountability, openness, and artist welfare. It marks a turning point, moving away from a culture of exploitation towards a more equitable and lasting model for this iconic cultural event. It remains to be seen how effectively it will be implemented, but its introduction signifies a positive shift in the right direction.
This interview was conducted by [YOUR NAME], News Editor for NewsDirectory3.