Exploring Women-Led Films at the Tokyo International Film Festival 2023

The Tokyo International Film Festival featured many intriguing films, especially from Japan and Asia. The festival aimed to highlight female filmmakers with initiatives like the Women’s Empowerment sidebar and a popular symposium titled “Women Directors Lead the Way.” This represents a much-needed change in the Japanese film industry following recent #MeToo allegations.

One standout film was “Apollon by Day, Athena by Night,” directed by Emine Yildirim. This film won the Best Film award in the Asian Future section. It follows Dezne, who can see and communicate with ghosts. Her unique ability creates challenges as she navigates life and the spirits surrounding her. The film addresses themes of family, loneliness, and the struggles of women forging their own paths.

Another significant entry was “Underground,” directed by Kaori. This film explores Japan’s underground world, blending documentary footage with impressionistic imagery. It highlights the history of Okinawan caves that sheltered locals during wartime. The film connects the past and present, merging stories of survival with the beauty of the caves, providing a spiritual experience for viewers.

In contrast, the anticipated international film “Emmanuelle,” directed by Audrey Diwan, disappointed. Instead of exploring pleasure, it focused on dull discussions about sex. The film lacked engaging moments, leaving the audience feeling disconnected.

A highlight at the festival was a retrospective screening of Kiju Yoshida’s “Eros + Massacre.” This 1969 film examines love, politics, and feminism across different eras in Japan. It follows a feminist writer and an anarchist in the 1910s, then shifts to a young woman and a young man in the 1960s. The narratives intertwine, showcasing the explosive emotions surrounding relationships and social movements.

After the screening, visitors could explore displays of antique cameras and playbills at the National Film Archive. Reflecting on Yoshida’s film, it was impressive how a movie from over 50 years ago remained relevant in both style and content. Stepping outside into Tokyo, the blend of past and future became apparent, creating a vibrant present.