Fake Masterpieces Exposed: Welsh Folk Museum’s Shocking Exhibition Scandal

After the news came to light, the Fake Painting Group disappeared Starting from the 13th of this month, the National History Museum also exhibited 52 Sanyu paintings, 20 of which are “collision” with r works previously exhibited by the Mock Painting Group are authentic? Which one is false? As the museum has not made a complaint so far to remedy the situation, people in the arts and cultural circles criticized it, believing that the official attitude was negative.

The independent curator Hu Yongfen, the literary scholar Xiao Wenjie, and the director of the Geng Gallery, Geng Guiying, who could not stand it, signed a report to the Bureau of Investigation and made a record However, because they are not victims and the existing laws complete, it may be difficult to arrest the false painting conviction.

Geng Guiying told this magazine that after the Sanyu fake painting incident ended, many collectors were worried about buying fake paintings and asked her to verify them privately, including senior executives of financial holding companies and heads of semi -conductors of paintings, they were not willing to use them as fake paintings. The victim’s identity was reported because he feared losing face if it became known.

The mock painting event attracted attention from all walks of life as well as museum personnel. In this regard, Xiao Wenjie believes that although the National History Museum has drawn a clear line with the fake painting group, it will leave traces wherever it goes After investigation, the museum has cooperated with the group to organize exhibitions three times the host and co-organiser are different each time, the signing, The opening tea party was held by the same group of people Was there any hidden collusion or exchange of interests between the two parties? It is doubtful.

According to this magazine’s investigation, the special exhibition “Surface Painting and Ink: The Inner World of Masters and Masters” which is on display at the National History Museum’s Taiwan Archives in July this year was organized by the American-Taiwan Association for Research and Development Fo Guang Shan Antiquities, Art Technology and Innovation (ATCT) and Human Blessings It was sponsored by 2 units, and the joint organizers were the Cross-Fund Ancient Cultural Relics Research and Development Association and Yuchengxi International Auction Company.

It was found that this is not the first time that the National Museum of Wales’ Taiwan Archives have collaborated with this group, they also organized an exhibition of Buddhist cultural relics “The Prosperous Age of Namo: Protected by the Heaven of the Dragon” which was held in January last year. ATCT and Yuchengxi International Auction Company, and the joint organizer was Fo Guang Shanrenjianfubao and other units; was the vice president of ATCT, and Zhu and his brother were both Cheng Xi’s imperial decision-makers.

As for Pan Qisheng, the nominal person in charge of Yu Chengxi, he is the eldest son of Zhu Xinhui. In July this year, Pan’s business card was distributed in the Taiwan Archives of the History Museum, and it indicated that he is an ATCT expert. Hu Yongfen said: “The leader of this group is Ouyang Jianzhong, the founder of ATCT. He also claims to be the chairman of the Cross-Fund Ancient Cultural Relics Research and Development Association, the chairman of the DCL International Antique and Artwork Certificate Publishing and Appraisal Center, and The Han Dynasty Nanchang Haihun Marquis Museum of Ruins Foreign Curator, foreign art director of Jiangxi Provincial Museum, honorary researcher of Shenyang Palace Museum, all titles are scary!