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Gerry Cardinale: Paramount Investment Strategy - News Directory 3

Gerry Cardinale: Paramount Investment Strategy

August 7, 2025 Marcus Rodriguez Entertainment
News Context
At a glance
Original source: variety.com

Skydance’s⁤ David ‌Ellison: Storytelling ​first,‍ Tech Second, adn Why Independence is‌ Key for News

Table of Contents

  • Skydance’s⁤ David ‌Ellison: Storytelling ​first,‍ Tech Second, adn Why Independence is‌ Key for News
    • Skydance Prioritizes Storytelling ⁤Over ⁢Technology
    • Navigating Content Challenges and the Future of Paramount
    • The Importance of Independence ⁢in News: A Lesson from the ‌Trump Lawsuit
    • Leveraging​ Experience and Breaking Down Traditional Media Models

David Ellison, ⁤CEO of Skydance​ Media, is making a bold ⁢statement‍ about the future of entertainment and news. It’s not about ‍the latest gadgets or algorithms, he insists, but about empowering storytellers and respecting the‌ core principles of journalistic integrity.As Skydance ‍navigates a changing media landscape – including ‌a recent deal with Paramount – Ellison’s vision ⁣prioritizes creative ⁢talent and financial independence above all else.

Skydance Prioritizes Storytelling ⁤Over ⁢Technology

Ellison is clear ‌about⁣ his company’s core philosophy: technology ⁢is‌ an⁢ enabler, not⁤ the driving force. “The⁤ thing that has ⁢been really problematic from my perspective⁢ is people thinking that technology is something to be feared,⁣ or that it’s ​the center,”‌ he explained. “It is‍ indeed not. The⁤ artists and the ‌filmmakers that we work with are ⁤first, second, third, fourth, fifth, on our priority list.We are storytelling companies first.”

However, he ⁤acknowledges the crucial role technology plays in supporting that storytelling. “If you don’t⁢ actually have the appropriate technology to support the function of that storytelling… It’s common,”​ he said. skydance aims to be the partner of choice for creatives, offering not just financial backing but ⁤also cutting-edge tools. “What we ‌want to do⁣ is be the place that supports the most talented filmmakers” or ⁢creatives, but⁢ “also doesn’t run away from technology – ‍or ‌runs⁢ towards ⁤it.” This approach positions Skydance as ‍a ⁢facilitator, providing the means for artists to realize their visions ⁤without being dictated to by technological ⁤limitations.

Navigating Content Challenges and the Future of Paramount

Skydance’s acquisition⁣ of a majority stake ⁤in Paramount ⁢Global has ​already sparked questions about the future of its content lineup. The company faces immediate decisions, such as finding a​ replacement for Stephen Colbert’s “Late Show” when⁤ he steps‌ down​ next May. George Cheeks, chair of paramount’s TV⁢ operations, confirmed‍ there⁣ isn’t a ⁤concept⁣ ready to go, but defended the ​decision to end the show given declining advertising revenue. “We love ⁢the show,” Cheeks said, “The ‌economics made it a challenge for us​ to keep going.”

This situation highlights the pressures facing traditional media companies and⁢ the ‌need ⁢for strategic financial decisions. Skydance’s involvement signals a willingness to make tough choices to ensure long-term viability.

The Importance of Independence ⁢in News: A Lesson from the ‌Trump Lawsuit

A significant⁤ aspect‌ of the Paramount​ deal involves⁤ CBS News⁢ and “60 Minutes.” Concerns have been raised about potential interference following Paramount’s ​settlement of a lawsuit brought by former​ President‍ Donald Trump ⁣against the newsmagazine. However, Skydance’s johnathan ​Cardinale offered a firm stance on this issue.

Cardinale cautioned against acquiring news⁤ organizations with the intention ​of⁤ influencing their ⁣coverage. “don’t buy into a news ⁤organization, whether ⁣it’s broadcast or print, if you want to influence it.That’s just bad buisness,” he stated.He emphasized that the value of ⁢a news organization lies in its “independence⁢ and objectivity.” ⁤Attempting to control the narrative, he argues, ​”kills the investment thesis.”​ “There’s no way we’re going⁣ to try to ⁣influence ‌it.⁢ By doing that,you kill the investment thesis. It’s that ‍simple.”

This commitment to journalistic independence is ‍a cornerstone of Skydance’s approach, recognizing that credibility is paramount ⁢for⁤ any news organization ‌to thrive.

Leveraging​ Experience and Breaking Down Traditional Media Models

Cardinale believes⁣ that traditional media executives ⁢possess invaluable​ expertise in identifying ⁤prosperous content. However, he stresses the need for a fresh perspective and a willingness​ to disrupt established‍ practices.

“I‌ don’t think the Silicon Valley guys should own content production,” he⁣ said. “I think ⁢it’s the⁤ guys that have been around ‌for 113 years.” But simply maintaining the status quo isn’t enough.”All you gotta do, though, is⁤ just don’t buy something and sit there and​ think it’s‌ going to take‍ care of itself. You gotta ⁣get under it, you gotta break it apart.”

This suggests a strategy of revitalizing‌ existing‌ media⁢ properties through innovation​ and a more‍ dynamic approach to content creation and distribution. Skydance’s vision isn’t about⁤ replacing traditional media ⁢expertise, but about augmenting it with a willingness ⁤to⁤ challenge conventions and ⁤embrace change.

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