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GloRilla "No BBL" Lyrics Copyright Dispute - News Directory 3

GloRilla “No BBL” Lyrics Copyright Dispute

September 10, 2025 Robert Mitchell News
News Context
At a glance
  • What: Rapper⁣ GloRilla is ‍defending against a copyright infringement lawsuit claiming she used a viral ⁣phrase without permission.
  • Who: Natalie Henderson (Slimdabodylast) is suing GloRilla, UMG Recordings, Warner Chappell Music, and BMG Rights⁢ Management.
  • Where: The‍ case is ‍being heard in a federal court⁢ in Louisiana.
Original source: hot97.com

GloRilla Faces Copyright Lawsuit Over “No BBL” Lyric

Table of Contents

  • GloRilla Faces Copyright Lawsuit Over “No BBL” Lyric
    • Background to ⁤the ⁢Dispute
    • GloRilla’s Defense: ⁤Access and Originality
    • Damages and Copyright⁣ Protection
    • The Broader Implications

Updated September 10, 2025, 21:40:27

What: Rapper⁣ GloRilla is ‍defending against a copyright infringement lawsuit claiming she used a viral ⁣phrase without permission.

Who: Natalie Henderson (Slimdabodylast) is suing GloRilla, UMG Recordings, Warner Chappell Music, and BMG Rights⁢ Management.

Where: The‍ case is ‍being heard in a federal court⁢ in Louisiana.

Why it matters: This case raises questions about copyright protection for short, viral phrases and the standard for proving access to creative work.

What’s next: The court will consider a motion to dismiss the ⁤case filed by GloRilla’s legal team.

Background to ⁤the ⁢Dispute

GloRilla, along with UMG Recordings, Warner Chappell Music, and BMG Rights Management, ⁣is seeking to dismiss a copyright lawsuit alleging the unauthorized use of a popular phrase in her song “Never Find.”⁤ The lawsuit, filed in a Louisiana federal court, centers on the phrase “no BBL,” a term gaining prominence in discussions about body⁣ image and cosmetic surgery.

The plaintiff,Natalie Henderson,known professionally as Slimdabodylast,claims that GloRilla’s lyric – “Natural,no BBL,but I’m still gon’ give⁤ them hell” – is substantially similar to her own song “All‍ Natural,” which features the repeated line “all naturale,no⁣ BBL.” Henderson‍ asserts that her ‍song gained traction on social media in early ⁤2024 for its celebration of natural bodies and that GloRilla and her collaborators have profited from her original work.

GloRilla’s Defense: ⁤Access and Originality

GloRilla’s legal team⁢ is challenging the lawsuit⁢ on several key⁢ points. A primary argument is that Henderson cannot demonstrate that GloRilla had access to her song. They contend that simply posting a track online does not meet the legal threshold for establishing access, citing the need for evidence of widespread distribution or commercial success – something ‍they claim Henderson’s song lacks. Justia explains ‍the legal standard for proving access in copyright cases.

Furthermore, the defense disputes the claim of substantial ⁢similarity. They argue that while Henderson’s phrase⁢ is a recurring hook, GloRilla’s line appears only once within a different context and utilizes a distinct rhyme scheme.The lawyers also emphasize that phrases like “give them hell” are commonplace ⁢in music and do not ‍constitute copyright infringement.

Damages and Copyright⁣ Protection

GloRilla’s team is also questioning Henderson’s ability to claim both statutory and actual damages, arguing that she hasn’t proven⁢ sufficient infringement to warrant an injunction. They further contend that phrases celebrating natural bodies are increasingly common in contemporary music and, therefore, lack the originality required for copyright protection. This argument hinges on the principle that copyright law protects original works of authorship, not common expressions.

The motion to dismiss asserts that viral expressions, even those that achieve widespread popularity, cannot automatically be⁤ considered intellectual property. this raises a broader⁣ question about the copyrightability of short phrases and slogans in the age of social media.

“This case⁤ highlights the challenges of ‍applying traditional copyright law to the ⁤rapidly evolving landscape of online culture. The question of whether a short, viral phrase can be protected by copyright is complex, and the court’s decision could have significant implications for creators and artists who draw‍ inspiration from online trends. The ‘access’ argument is also crucial; proving⁤ that GloRilla actually *heard* Henderson’s song will be ‍a significant hurdle for the plaintiff.”

– robertmitchell

The Broader Implications

the outcome⁤ of this case could set a precedent for future copyright claims involving viral phrases and online trends. If the⁢ court sides with GloRilla, it could make it more difficult for creators ⁤to protect short, popular expressions. Conversely, a ruling in favor of Henderson could encourage more copyright claims based on‍ similar circumstances.

Here’s a ⁣table summarizing key aspects of the case:

Plaintiff Defendant Key Claim Defense Argument
Natalie Henderson (Slimdabodylast) GloRilla, UMG Recordings, Warner Chappell ⁣Music, BMG‍ Rights Management Copyright infringement⁢ of the‍ phrase “no BBL” Lack of access, insufficient similarity, lack of originality, and inability to ⁤claim damages.

This article provides information about the ongoing legal dispute between Natalie Henderson and GloRilla as of September 10, 2025. The information is based on publicly available ‍sources and shoudl not be considered legal advice.

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