Jason Statham Comedy ‘Stole My Bike’ Lands at Berlin Film Market
- Berlin – Jason Statham is set to star in a big-budget action-comedy titled Jason Statham Stole My Bike, reuniting him with director David Leitch.
- The film, conceived as a PG-13 comedy with a tongue-in-cheek sensibility, will see Statham “in the role of a lifetime, playing global action superstar Jason Statham,” according to...
- Leitch, known for his work on Deadpool 2, Bullet Train, and Fast & Furious Presents: Hobbs & Shaw (the latter of which also starred Statham), is directing.
Berlin – Jason Statham is set to star in a big-budget action-comedy titled Jason Statham Stole My Bike
, reuniting him with director David Leitch. The project was unveiled at the European Film Market in Berlin today, .
The film, conceived as a PG-13 comedy with a tongue-in-cheek sensibility, will see Statham “in the role of a lifetime, playing global action superstar Jason Statham,” according to sources close to the production. The meta-casting approach suggests a self-aware tone, leaning into Statham’s established on-screen persona.
Leitch, known for his work on Deadpool 2
, Bullet Train
, and Fast & Furious Presents: Hobbs & Shaw
(the latter of which also starred Statham), is directing. The pairing marks a significant collaboration for the two, building on the success they found with the Fast & Furious
spin-off. Filming is slated to begin in May 2026.
The project boasts a budget exceeding $80 million, a substantial investment in the current film landscape, particularly for a comedy. This financial commitment signals confidence from the producers and distributors in the project’s commercial potential. Black Bear has secured domestic distribution rights and will handle international sales.
Alison Flierl, whose writing credits include BoJack Horseman
and the School of Rock
series, penned the script. Flierl’s background in both animated and live-action comedy suggests a versatile approach to the material, potentially blending sharp wit with physical humor.
Producing the film are Leitch and Kelly McCormick through their 87 North banner (The Fall Guy
), Jason Statham via his Punch Palace Productions, and John Friedberg for Black Bear. Meredith Berg and Ethan Erwin of Beryllium Entertainment are also producing.
The announcement comes as Statham is already engaged in another project, Viva la Madness
, a sixth collaboration with director Guy Ritchie, currently in production in London. Despite the overlapping schedules, Statham is prioritizing Jason Statham Stole My Bike
, with filming set to commence in May.
Black Bear’s involvement is noteworthy, as the company also distributed Statham’s recent film, Shelter
. This existing relationship likely contributed to their swift commitment to a wide domestic release for the new project.
Interest in the film is already high, with Amazon reportedly circling rights in multiple territories. This early attention from a major streaming platform underscores the project’s perceived value and potential for a broad audience reach.
The success of action-comedies in recent years, coupled with Statham’s enduring appeal and Leitch’s proven track record, positions Jason Statham Stole My Bike
as a potentially significant release. The film’s self-referential title and premise suggest a willingness to subvert expectations and offer a fresh take on the action-comedy genre.
While plot details remain under wraps, the film’s positioning at the European Film Market indicates a strategic effort to attract international financing and distribution partners. The market serves as a key venue for showcasing upcoming projects to potential buyers and forging collaborations.
The $80 million-plus budget reflects a growing trend of investing in commercially viable projects with established stars and directors. In a marketplace increasingly dominated by franchise films and streaming content, Jason Statham Stole My Bike
represents a bet on original, star-driven comedies with broad appeal.
CAA Media Finance arranged the financing for the film and represented U.S. Rights, highlighting the agency’s role in bringing the project together. The involvement of CAA further underscores the industry’s confidence in the film’s potential.
