KMDB: Korean Film Database
- A look at the digital and physical media holdings of several recent Korean film productions.
- This mystery thriller, directed by Park Jae-hyun, is archived with four Digital Cinema Packages (DCPs) and one disk.
- Co-directed by Kwak Kyung-taek and Kim Tae-hoon, this war film's archive includes five DCPs and two disks.
Recent Korean film Holdings Detailed
Table of Contents
A look at the digital and physical media holdings of several recent Korean film productions.
“Svaha: The Sixth Finger” (2019)
This mystery thriller, directed by Park Jae-hyun, is archived with four Digital Cinema Packages (DCPs) and one disk.
Genre: Mystery, Thriller
“Battle of Jangsari” (2019)
Co-directed by Kwak Kyung-taek and Kim Tae-hoon, this war film’s archive includes five DCPs and two disks. A lighting team contributed to the production.
Genre: War
Role: Lighting team
“the 8th Night” (2019)
Kim Tae-hyung directed this mystery thriller, which is preserved with one DCP and one script.
Genre: Mystery, Thriller
“Crazy Romance” (2019)
Directed by Kim han-gyeol, this romantic comedy is archived with six DCPs and two disks. Lighting support was provided during production.
Genre: Melo/Romance, Comedy
Role: Lighting support
“My Punch-Drunk Boxer” (2018)
This comedy-drama-sports film, directed by Jung Hyuk-ki, is preserved with five dcps and one disk. Team B contributed to the production.
Genre: Comedy, Drama, Sports
Role: Team B
“IDOL” (2018)
Directed by Lee Soo-jin, this thriller is archived with one DCP and one disk. Article 3 contributed to the production.
Genre: Thriller
Role: Article 3
Korean Film Industry: Recent Productions and Roles
South Korea’s film industry continues to produce a diverse range of movies, showcasing talent in various roles and genres. Recent productions have involved numerous professionals contributing to different aspects of filmmaking.
Notable Films and Crew Contributions
Here’s a look at some recent films and the roles played by various crew members:
| Film Title (Director,Year) | Role | Genre | Availability |
|---|---|---|---|
| MISS & MRS. COPS (Geol-Kap-seu) (Jeong dawon, 2018) | Lighting Team | Comedy, Action | DCP (5), Disk (1) |
| The Witch : Part 1. The Subversion (Park Hoon-jung, 2018) | Lighting support | Action, Mystery | DCP (8), Disk (2), Script (1) |
| 1987: When the Day Comes (Jang Joon-hwan, 2017) | Drama | DCP (6), disk (2) | |
| the Spy Gone north (Gong-Jak) (Yoon Jong-bin, 2017) | Lighting Support | Drama | DCP (6), Disk (2) |
| Fantastic Nightmare (Misseu waipeu) (Kang Hyo-jin, 2015) | Lighting Team | Comedy | DCP (5), Disk (1), script (1) |
Industry Trends
The south Korean film industry demonstrates a strong emphasis on both technical and creative roles. Lighting teams and support staff are consistently credited, highlighting the collaborative nature of filmmaking. The availability of films in DCP and disk formats suggests a blend of traditional and modern distribution methods.
Genres such as action, comedy, and drama are prominently featured, indicating a diverse range of cinematic offerings.
Film Production Details
A summary of various film productions and their associated roles and resources.
Shadow Island (2014)
Directed by 손승웅 (Son Seung-woong), this drama, crime, and mystery film involved lighting support.
Resources included: DCP(4), Disk(1), script(1)
The Outsider: Meen Streets (2014)
Directed by Shin Dong-yeop, this film falls into the Melo/Romance and Noir genres.
Resources included: DCP(1), Disk(1), script(2)
THE YOUTH (Ready action CHEONG-KHUN)
This omnibus film involved a lighting team.
Resources included: DCP(3), script(2)
Chronicle of a Blood merchant (2014)
Directed by Ha Jung-woo, this drama film involved a lighting team.
Resources included: DCP(4), Disk(1), script(2)
MIZO (2013)
Directed by Nam Ki-woong, this drama film involved lighting support.
resources included: DCP(1), Disk(1), script(1)
| DCP(3) | Disk(1) | script(3) | |
| Girls, girls, girls, girls (nyeo-nyeo)(weany-nyoo)(weany-nyoo)(weany-nyoo)(polis | Melo Drama, Comedy | DCP(3) Disk(1) script(2) |
korean Film Archive: Q&A
The Korean Film Archive (KOFA), established in 1974, plays a pivotal role in preserving the rich history of Korean cinema.
What is the Korean film Archive (KOFA)?
KOFA, or the Korean Federation of Film Archives, is the sole film archive in South korea with nationwide coverage. ItS a non-profit association founded in Seoul in 1974. KOFA is also a member of the International Federation of Film Archives (FIAF) since 1985.
What is the mission of KOFA?
KOFA collects and preserves all materials related to the process of producing Korean films for the benefit of Koreans now and in the future.
How does KOFA preserve films?
KOFA utilizes state-of-the-art facilities to ensure the longevity of film materials. This includes operating preservation warehouses with constant temperature and humidity control in Sangam and Paju. They also use advanced equipment, such as the Scanity HDR film scanner, for digitizing and preserving film.
Technical and Digital Holdings
What types of media does KOFA preserve?
KOFA preserves films in various formats, including Digital Cinema Packages (DCPs), disks, and film scripts. The archive holds a meaningful quantity of digital cinema packages (9,411) and sound recordings (5,203).
Can you provide details on the preservation of recent Korean films?
Here are details on how some recent Korean films are archived within KOFA:
| Film Title (Director, Year) | Role | Genre | Availability |
|---|---|---|---|
| MISS & MRS. COPS (Jeong dawon,2018) | Lighting Team | Comedy,Action | DCP (5),Disk (1) |
| The Witch : Part 1. The Subversion (Park Hoon-jung, 2018) | Lighting support | Action, Mystery | DCP (8), Disk (2), Script (1) |
| 1987: When the Day Comes (Jang Joon-hwan, 2017) | drama | DCP (6), disk (2) | |
| the Spy Gone north (Gong-Jak) (Yoon Jong-bin, 2017) | Lighting Support | Drama | DCP (6), Disk (2) |
| Fantastic Nightmare (Misseu waipeu) (Kang Hyo-jin, 2015) | Lighting Team | Comedy | DCP (5), Disk (1), script (1) |
Are there other specific examples of how films are preserved, with details of their associated materials?
Yes, here are additional examples:
-
“Svaha: The Sixth Finger” (2019): 4 dcps and 1 disk.
genre: Mystery, Thriller
-
“Battle of Jangsari” (2019): 5 DCPs and 2 disks. Involved a lighting team.
Genre: War
-
“the 8th night” (2019): 1 DCP and 1 script
Genre: Mystery, Thriller
-
“Crazy Romance” (2019): 6 DCPs and 2 disks. Included lighting support.
Genre: Melo/Romance, Comedy
-
“My Punch-Drunk Boxer” (2018): 5 DCPs and 1 disk. Team B contributed.
Genre: Comedy, Drama, Sports
-
“IDOL” (2018): 1 DCP and 1 disk.Article 3 contributed.
Genre: Thriller
-
Shadow island (2014): 4 DCPs, 1 Disk, and 1 Script. Lighting support was included.
-
The Outsider: Meen Streets (2014): 1 DCP, 1 Disk, 2 Scripts.
Genre: Melo/Romance and Noir
-
THE YOUTH (Ready action CHEONG-KHUN): 3 DCPs, 2 Scripts. Lighting team was involved.
-
Chronicle of a Blood merchant (2014): 4 DCPs,1 Disk,2 Scripts. Lighting team was involved.
-
MIZO (2013): 1 DCP, 1 Disk, 1 Script. Lighting support was included.
What are some of the specific roles that staff had related to the productions?
The role of lighting support and lighting team are mentioned in manny productions. Other crew members are also mentioned.
What are the major genres, roles, and resources?
The film industry uses a variety of genres, including, action, mystery, melo/romance, comedy, drama, sports, noir, and war. There were many roles that were documented, including lighting support, lighting team, article 3, and team B.Resources used consisted of DCPs, Script, disk, and sometiems multipe copies of the same asset.
Article updated: January 1, 2024