La Jolla Playhouse: 80s Nostalgia Production
- Here's a breakdown of the key points from the provided text, summarizing the review of the "Working Girl" musical:
- * The musical focuses more on capturing the feel of the 1980s than directly adapting the empowering message of "9 too 5." It leans into the nostalgia...
- * lauper's music is catchy and attempts to blend a retro 80s sound with contemporary appeal.
Here’s a breakdown of the key points from the provided text, summarizing the review of the “Working Girl” musical:
Overall Impression:
* The musical focuses more on capturing the feel of the 1980s than directly adapting the empowering message of “9 too 5.” It leans into the nostalgia (and some of the problematic aspects) of the decade.
* While the show has potential, it doesn’t quite live up to the sharpness of the original screenplay.
Music & Lyrics (Cyndi Lauper):
* lauper’s music is catchy and attempts to blend a retro 80s sound with contemporary appeal. It’s described as sounding like a “recently unearthed pop album.”
* The opening number is energetic and period-appropriate,but the lyrics (“looking for something more”) are somewhat generic.
Plot & Characters:
* The musical follows the basic premise of the film: Tess, a secretary, seizes an opportunity when her boss is injured and pretends to be an executive.
* The show expands Katharine’s role (compared to the film), giving the actress playing her more to do.
* The review highlights a key plot point: Tess’s idea is stolen by her new boss.
* The musical touches on themes of workplace sexism and objectification, but doesn’t necessarily offer a strong, empowering message like ”9 to 5.”
Staging & Presentation:
* There’s a slight disconnect between the period setting and some modern staging choices (e.g.,LED screens representing the statue of Liberty).
Key Quote:
* “Dress shabbily and they notice the dress.Dress impeccably and they notice the woman.” – a quote from Coco Chanel used as advice to Tess.
In essence, the review suggests a fun, nostalgic show with good music, but one that doesn’t quite reach the full potential of its source material.
