Last audio recording of Suhair al-Babli before his death.. He was busy remembering God.. Video

Today marks three years since the death of the beloved artist Zuhair Al-Babli, who passed away on November 21, 2021. He was known as the Queen of Joy and touched the lives of millions with his art and creativity.

Zuhair Al-Babli acted in numerous roles across cinema, theater, television, and radio. His performance in the 1997 play “Atiya the Terrorist” was among his most notable works. In the same year, he made the surprising decision to retire from the industry and adopt the hijab.

Al-Babli stated that he chose to wear the hijab after seeing his daughter, Neveen Al-Nakouri, who resembled him, studying and memorizing the Qur’an. This decision marked a significant shift in his life. He often sought religious guidance from prominent figures like Sheikh al-Sharawi and Dr. Mustafa Mahmud. Sheikh al-Sharawi once referred to him as “Sakinana” and encouraged him to spread a meaningful message through his actions.

After almost a decade of retirement, Al-Babli returned to acting in the 2005 series “Kalab Habiba.” Even as health issues arose, he focused on studying the Qur’an and strengthening his faith. He continued to express his devotion until his last days.

How did Zuhair Al-Babli’s transition to a more private life influence his artistic expression?

Remembering Zuhair Al-Babli: A Testament of Faith and Creativity

Interview with Dr. Samir Al-Farouk, Cultural Historian and Expert on Arabic Theater

NewsDirectory3: Today marks three years since the passing of the beloved artist Zuhair Al-Babli, a figure cherished for both his artistic contributions and his deep spirituality. We sit down with Dr. Samir Al-Farouk, a cultural historian specialized in Arabic theater and film, to explore Al-Babli’s legacy.

NewsDirectory3: Dr. Al-Farouk, what do you think defined Zuhair Al-Babli’s impact on the arts?

Dr. Al-Farouk: Zuhair Al-Babli was not just an artist; he was a symbol of joy and creativity. His ability to evoke deep emotions in audiences across multiple platforms—cinema, theater, television, and radio—set him apart. The play “Atiya the Terrorist” in 1997 was groundbreaking. It showcased his extraordinary talent and captured the essence of societal issues in a way that resonated widely.

NewsDirectory3: His decision to retire and wear the hijab surprised many. What significance does this shift hold in the context of his life and work?

Dr. Al-Farouk: Al-Babli’s choice to adopt the hijab was deeply intertwined with his personal development and his dedication to faith. It marked a new chapter, moving from public admiration to private faith. His reflection on his daughter Neveen’s journey in studying the Qur’an highlights his desire to connect with his spirituality on a profound level. It was a courageous and noteworthy transition that many could relate to.

NewsDirectory3: He sought religious guidance from notable figures. How did this influence his later works?

Dr. Al-Farouk: Influences from spiritual leaders like Sheikh al-Sharawi undoubtedly gave Al-Babli a renewed purpose. This guidance not only reinforced his artistic expressions but also transformed them. He infused his performances with values of compassion and joy, serving as a beacon of hope and faith for many. His return to acting in “Kalab Habiba” was reflective of a man who reconciled his artistic ambitions with his newfound spirituality.

NewsDirectory3: Can you share insights into his final days and how they reflect his character?

Dr. Al-Farouk: Al-Babli’s final moments were incredibly poignant. His repeated praises of God and the connection he had with his family during Qur’anic recitations underscore his unwavering faith. As his son-in-law Dr. Reda Taima described, his physical response to spiritual moments was a testament to the depth of his love for God and his family. It demonstrates how his faith remained a central part of his identity until the very end.

NewsDirectory3: How do you believe Al-Babli will be remembered in the future?

Dr. Al-Farouk: Zuhair Al-Babli’s legacy will undoubtedly endure. He is remembered not only for his immense talent and contributions to the arts but also for embodying a life of faith, devotion, and joy. His story inspires both artists and audiences alike to strive for a fulfilling life filled with creativity and spirituality. His passion and faith create a lasting narrative that will resonate for generations.

NewsDirectory3: Thank you, Dr. Al-Farouk, for your insights into the life and legacy of Zuhair Al-Babli.

Dr. Al-Farouk: Thank you for honoring his memory.

In his final moments, Al-Babli was in a coma. He frequently repeated phrases praising God. His son-in-law, Dr. Reda Taima, shared that Al-Babli opened his eyes during recitations of the Qur’an by his family members, showing a connection to those around him. The nurses who attended him were moved by the scene.

Al-Babli had a particular fondness for Burda al-Bosiri, a poem praising the Prophet Muhammad. He enjoyed these gatherings with his family and friends, where they recited the Qur’an together. In his final days, he repeatedly chanted phrases expressing love for God, reflecting his deep faith and joy in life.