Man’s Best Friend Theatre Review: Lockdown & Dogs
Explore Douglas Maxwell’s poignant play, “Man’s Best Friend,” which dives into the anxieties of the pandemic era. The production, starring Jordan Young, unpacks themes of loss, isolation, and the enduring human-animal bond during lockdown. Examine the role of community, loss, and the search for solace with News Directory 3’s insightful theater review. Witness how Young’s character, Ronnie, a dog walker, navigates a world grappling with uncertainty and the role dogs play in providing comfort. The play blends humor and pathos, from Zoom funerals to recollections of healthcare worker support. Discover the evocative set design and poignant performances. Experience the 80-minute production through the eyes of our critics. Discover what’s next for this compelling exploration of the human condition.
Douglas Maxwell’s Play Explores Pandemic Themes of Loss and Isolation
Amid lingering reminders of the pandemic, such as vaccine misinformation stalls, Douglas Maxwell’s “Man’s Best Friend” revisits the era’s unique anxieties. The play, featuring Jordan Young, delves into lockdown-era bereavement, hospital isolation, and Zoom funerals, capturing a sense of being suspended in time.
The production evokes memories of clapping for healthcare workers and a heightened sense of community, alongside the pain of loss.It portrays a world grappling with rootlessness and uncertainty.
Young’s character, Ronnie, a dog walker, is portrayed as a man struggling to find peace. Despite his cheerful nature and engaging job, he remains unsettled, hinting at deeper issues beneath the surface.
Ronnie’s walks with dogs like Albert, Fury, carlos, Coriander, and Rex are set against the backdrop of Becky Minto’s set design and Grant Anderson’s lighting, enhancing the play’s emotional arc. Ross Collins’ canine illustrations add a touch of whimsy as Maxwell’s monologue transitions from comedic to poignant.
Originally presented in 2022 as part of the “A Play, a Pie and a Pint” series, Jemima Levick’s restaging of the 80-minute production is both touching and vivid. While Maxwell’s insights into loneliness, loss, and the human-animal bond are sharp, the play exists in a space that is neither fully removed from nor entirely consumed by the pandemic experience.
What’s next
Future performances of “Man’s Best friend” are anticipated to further resonate with audiences as society continues to process the long-term effects of the pandemic and the evolving role of community and connection.
