Home » Entertainment » Margot Robbie’s ‘Barbie’ Press Tour Fashion: Yorkshire Jewellery & Vintage Looks

Margot Robbie’s ‘Barbie’ Press Tour Fashion: Yorkshire Jewellery & Vintage Looks

Margot Robbie’s press tour for ’s Wuthering Heights is proving to be more than just a promotional campaign; it’s a masterclass in method dressing, meticulously crafted to reflect the brooding intensity and dark romance of Emily Brontë’s classic novel. Robbie, fresh off the whirlwind of the Barbie press tour, is once again collaborating with stylist Andrew Mukamal to create a series of looks that tell a story, evolving with each appearance to capture different facets of the film’s themes.

The approach isn’t simply about period costumes, but a fusion of historical silhouettes with modern couture. Robbie and Mukamal are aiming to channel the spirit of Catherine Earnshaw without resorting to predictable “moor-ish” aesthetics. As Robbie explained to Variety, the goal is to translate the novel’s essence into wearable art. “We were like, ‘If we were to make Wuthering Heights into a dress, what would it look like?’” she said, describing the thought process behind her initial look.

That initial look, unveiled at the film’s world premiere, was a custom Schiaparelli ball gown. Robbie described the design as representing the story “soaking up the ground,” with the dress appearing to absorb the red of the carpet – or, in this case, a red lacquer floor – and incorporating lace and a sense of “dark sort of decay” evocative of the Wuthering Heights estate. The dress wasn’t just a beautiful garment; it was a visual statement about the novel’s core themes.

Mukamal’s deep dive into the source material is central to this approach. A history major himself, he’s been drawing inspiration directly from Brontë’s writing. He reportedly used a passage describing a fit of madness to inform the creation of two feathered looks and a scene involving a snake to inspire a python dress. Robbie noted that Mukamal even spent time on set with the film’s costume designer, Jacqueline Durran – an unusual step that underscores the commitment to thematic consistency.

The tour has already showcased a range of striking ensembles. For a photo call in London, Robbie donned a vintage piece from John Galliano’s spring 1992 show, originally modeled by Helena Christensen. The “kitsch” look, paired with Jacques Marie Mage glasses and Manolo Blahnik heels, offered a playful yet sophisticated nod to the past. Following the Paris premiere, she wore a custom Thom Browne creation featuring a pleated peplum, lace accents, and a detachable skirt. In Paris, Robbie also stunned in a custom Chanel ball gown – draped burgundy with an ivory underlayer.

Robbie’s commitment to embodying the spirit of her roles through fashion echoes her approach to the Barbie press tour, where she recreated iconic looks from the doll’s history. However, the Wuthering Heights tour feels more nuanced, less about direct replication and more about evocative interpretation. It’s a testament to Robbie’s understanding of the power of fashion as a storytelling tool.

Recent appearances in New York City have continued to demonstrate this dedication. Robbie was spotted in five different looks in a single day, ranging from a vintage, brushstroke-covered minidress at The Today Show to a more business-casual ensemble from Christopher Esber’s Resort 2026 collection. The Christopher Esber look consisted of a multicolored croc-skin tube top and a suede caramel midi skirt. She also showcased a gray Phoebe Philo ensemble, featuring a cropped blazer worn over little more than a bra, a bold statement that highlighted the character’s rebellious spirit.

The attention to detail extends beyond the clothing itself. Robbie has been accessorizing thoughtfully, and recently wore a replica Bronte bracelet made in Yorkshire, further cementing the connection between her style choices and the novel’s origins. This isn’t simply about wearing designer clothes; it’s about creating a visual narrative that deepens the audience’s understanding of the film and its themes.

Mukamal’s work is clearly resonating, building on the success of his styling for Barbie. He’s proving himself to be a master of translating literary and cinematic worlds into compelling fashion statements. Robbie’s Wuthering Heights press tour isn’t just generating buzz for the film; it’s establishing her as a style icon who understands the power of fashion to enhance and enrich storytelling.

As the tour continues, audiences can expect further evolution in Robbie’s wardrobe, each outfit offering a new layer of insight into the complex world of Wuthering Heights. The tour is a reminder that fashion, when approached with intention and artistry, can be a powerful form of artistic expression.

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