Marie Antoinette Fashion Exhibits: Iconic Styles Revealed in Museum Photos – WWD
- The Marie Antoinette Style exhibition at the Victoria and Albert Museum in London has concluded its run, marking the end of a major cultural event that explored the...
- Curated by Sarah Grant, the V&A’s lead curator for the exhibition, the show traced the origins and countless revivals of the Marie Antoinette style, highlighting its impact on...
- Manolo Blahnik served as the sole sponsor of the exhibition, a role reflecting his long-standing fascination with Marie Antoinette.
The Marie Antoinette Style exhibition at the Victoria and Albert Museum in London has concluded its run, marking the end of a major cultural event that explored the enduring influence of the French queen on fashion and design over more than 250 years. The exhibition, which opened on September 20, 2025, and closed on March 22, 2026, featured rare personal items from Marie Antoinette’s collection, including court dress fragments, silk slippers, jewels, and accessories from her toilette case, many displayed outside Versailles and France for the first time.
Curated by Sarah Grant, the V&A’s lead curator for the exhibition, the show traced the origins and countless revivals of the Marie Antoinette style, highlighting its impact on leading designers and creatives such as Sofia Coppola, Manolo Blahnik, Moschino, and Vivienne Westwood. The exhibition emphasized how the queen’s aesthetic choices in dress and interiors during the final decades of the 18th century continue to inspire contemporary fashion, film, and decorative arts.
Manolo Blahnik served as the sole sponsor of the exhibition, a role reflecting his long-standing fascination with Marie Antoinette. Blahnik, who first encountered her story through his mother’s reading of Stefan Zweig’s 1932 biography, has engaged with her legacy over decades, including hand-making the extravagant pastel footwear for Sofia Coppola’s 2006 film starring Kirsten Dunst. His sponsorship was described as more than a show of support, representing a deep personal connection to the queen’s enduring style.
The V&A presented the exhibition as Britain’s first dedicated to Marie Antoinette, positioning it as a significant moment in the UK’s cultural engagement with her legacy. By displaying intimate items such as her dinner service from the Petit Trianon and personal accessories, the show aimed to move beyond the queen’s public image of excess to reveal a more personal and intimate connection to her life and patronage in areas such as gardening, music, and decorative arts.
As reported by WWD and confirmed through the V&A’s official exhibition pages, the Marie Antoinette Style show offered a comprehensive reassessment of the queen’s influence, combining rare artifacts with scholarly insight to illustrate how her style has been continuously reimagined by each generation to suit its own aesthetic and cultural ends.
