Masters of the Universe’ Composer Daniel Pemberton On Crafting Theme Song

Behind the thunderous score of Masters of the Universe: The Movie lies the creative vision of composer Daniel Pemberton, whose work on the film’s soundtrack has drawn comparisons to the legendary rock anthems of Queen. Pemberton, best known for his Oscar-nominated score for Dunkirk (2017) and his collaborative work with Hans Zimmer, has crafted a musical identity for the reboot that blends heroic grandeur with nostalgic nods to the 1980s cartoon’s iconic theme.

In an exclusive interview with Variety, Pemberton revealed how he approached the challenge of scoring a film rooted in childhood nostalgia while delivering a fresh, cinematic experience for modern audiences. “The key was to honor the spirit of the original while making it feel like a living, breathing score for today,” he said. His composition draws inspiration from the film’s themes of heroism and adventure, with a particular focus on the titular characters’ struggle between good and evil. The result is a soundtrack that balances epic orchestration with a modern rock edge, echoing the energy of Queen’s Bohemian Rhapsody while standing on its own.

Pemberton’s collaboration with director Joel Schumacher—who helmed the 1987 Masters of the Universe film—added an extra layer of authenticity. Schumacher, a longtime admirer of the original cartoon, provided insights into the source material’s tone and visual style, which Pemberton wove into the score’s emotional core. “Joel’s understanding of the franchise’s DNA was invaluable,” Pemberton noted. “We wanted the music to feel like it belonged to both the past and the present.”

The film’s release in June 2026 has sparked comparisons to the cultural phenomenon of Barbie (2023), which revitalized a beloved franchise through a mix of humor, heart, and a standout soundtrack. While Masters of the Universe takes a more serious tone, its score aims to deliver a similarly immersive experience. Early reviews suggest the music plays a pivotal role in establishing the film’s world, with critics praising its ability to elevate even the most action-packed sequences.

Pemberton’s work on the film also highlights his versatility as a composer, moving seamlessly between orchestral and rock influences. His previous collaborations with Zimmer on projects like Dunkirk and Blade Runner 2049 have cemented his reputation for crafting scores that are both technically ambitious and emotionally resonant. For Masters of the Universe, he has taken on the added challenge of appealing to multiple generations—fans of the original cartoon, parents who grew up with it, and a new audience discovering the franchise for the first time.

As the film prepares for its theatrical run, Pemberton’s score is already generating buzz among music critics and fans alike. While it may not achieve the same level of mainstream recognition as Queen’s anthems, its presence in the film is undeniable. Whether through the soaring strings of a battle sequence or the driving rhythm of a heroic march, Pemberton’s music serves as the auditory backbone of Masters of the Universe, ensuring that the film’s larger-than-life world feels as epic on screen as it does in the imagination.

With the film’s release just weeks away, all eyes are on how Pemberton’s score will resonate with audiences. Given his track record, one thing is certain: the music will play a crucial role in shaping the film’s legacy—much like the original cartoon’s theme song did decades ago.