Meryl Streep’s Devil Wears Prada 2 Style: Bags & Press Tour Looks

The press tour for The Devil Wears Prada 2 is underway, generating significant attention ahead of the film’s scheduled release on May 1, 2026. As the cast promotes the highly anticipated sequel, the fashion surrounding the campaign has become a central narrative of the rollout. While filming took place throughout the previous year, bringing stars like Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci back to New York City, the current focus has shifted to the red carpet and television appearances that define the movie’s return to pop culture.

On April 1, Meryl Streep stepped out for an appearance on The Late Show with Stephen Colbert, offering a fresh example of her character’s enduring influence on style. For the occasion, Streep wore an oversized leopard print pussybow blouse-coat featuring billowing sleeves, paired with black cigarette jeans and black pointed slingback pumps. The look was accessorized with sleek cateye sunglasses, gold hoops, and a top-handle Hudson bag from DeMellier. This choice continues the legacy of the original film, where Miranda Priestly maintained a particular affinity for big brand bags that were tightly structured.

In the 2006 original, Miranda’s wardrobe included iconic pieces such as the Prada Spazzolato, the velvet Fendi Magic, a Chanel alligator flap, and a series of Hermés styles including a mini Kelly. For the sequel, costume designer Molly Rogers selected staple and unreleased handbags for the cast to carry during production. According to reporting from WWD, the list includes tote, briefcase, clutch, and hobo styles with the potential of inspiring new trends once the film comes out.

On the set of The Devil Wears Prada 2, Anne Hathaway, portraying Andy Sachs, was seen carrying the studded Valentino Garavani Panthea bag from the fall 2025 runway. Her collection also included the silver pelleted Nano bag by Rabanne and a Fendi basket. Meanwhile, Streep, returning as Runway EIC Miranda Priestly, wore a then-unreleased Celine Flat Cabas Luggage bag and a violet clutch by Pinel et Pinel. These selections highlight the film’s continued commitment to positioning designer accessories as key character elements.

Beyond the costumes within the film, the external press tour has emerged as one of the most closely watched moments in celebrity style this year. Stylist Micaela Erlanger is shaping every appearance for Streep, working to create a cohesive narrative across multiple global appearances. The press tour officially kicked off on March 30, with initial appearances taking place in Mexico City. This approach reflects a broader shift in how celebrity wardrobes are consumed, where audiences follow a continuous visual story rather than focusing on a single red carpet moment.

For the opening look in Mexico City, Streep appeared in a tailored red suit by Dolce and Gabbana. The ensemble was punctuated with brooches from Streep’s own personal collection, including two purple ribbons from when she was honored with her 2010 National Medal of the Arts, awarded by Barack Obama. She later changed into a floor-length, buttoned-up Schiaparelli gown. Erlanger noted that Streep’s head-to-toe red look was accessorized with Emmanuelle Khanh sunglasses and a custom Olympia Le-Tan book clutch, bearing the red pitchfork-heeled stilettos seen on the new movie poster.

Here’s going to be the most fashion you’ve ever seen her in.

Micaela Erlanger, Stylist

Erlanger, who has been working with Streep for 11 years, described the opportunity as a fashion girl’s dream. The stylist acknowledged the pressure involved, knowing that the world would be dissecting what Streep wears throughout the month of April. The wardrobe direction highlights strong tailoring, sculpted silhouettes, and meaningful accessories. These choices echo the commanding presence of Miranda Priestly while still feeling current in the modern landscape.

According to insights from Vogue, the styling strategy involves dozens of carefully planned outfits designed to maintain character continuity while introducing modern elements. Erlanger’s styling avoids recreating past looks directly. Instead, it reinterprets them to create a version of power dressing that feels relevant to today’s fashion industry. The tour is doing more than promoting a film; it is redefining what press tour fashion looks like in a modern, image-driven era.

The attention to detail extends to the specific narratives attached to each outfit. The opening red suit was described by observers as a deliberate nod to authority, confidence, and character continuity. Later appearances introduced more couture-driven pieces, including the Schiaparelli gown that balanced structure with dramatic detail. This meticulous planning ensures that the promotional cycle remains aligned with the film’s themes of high fashion and industry power.

As the tour continues, premieres are scheduled to follow in London, New York, and East Asia. The combination of on-set costume design by Molly Rogers and red carpet styling by Micaela Erlanger ensures that The Devil Wears Prada 2 remains a focal point for fashion analysis leading up to its May 1 release. With verified reports confirming the extensive use of luxury brands both on screen and off, the sequel aims to solidify its status as a cultural touchstone for style.