Michel Boujenah in Family Comedy “All the Family I Love” at Théâtre des Variétés – Paris
- Parisian audiences are currently enjoying a new comedy, Toute la famille que j’aime (All the Family I Love), playing at the Théâtre des Variétés.
- The story centers on a brother and sister whose father, a devoted fan of Johnny Hallyday, sparks a particular concern.
- Described by its authors as a “funny and crazy” comedy, the production aligns with the tradition of boulevard theatre.
Parisian audiences are currently enjoying a new comedy, Toute la famille que j’aime (All the Family I Love), playing at the Théâtre des Variétés. The play, penned by Fabrice Donnio and Sacha Judaszko and directed by Anne Bouvier, features Michel Boujenah alongside Guillaume Bouchède, Anne-Sophie Germanaz, and Raphaëline Goupilleau.
The story centers on a brother and sister whose father, a devoted fan of Johnny Hallyday, sparks a particular concern. Believing he may disinherit them in favor of honoring his musical idol, they proactively attempt to secure their inheritance while he’s still alive. The play unfolds a humorous dynamic revolving around sibling rivalry and the complexities of inheritance.
Described by its authors as a “funny and crazy” comedy, the production aligns with the tradition of boulevard theatre. It delves into the relationships between parents and children, familial tensions, and the strategies surrounding inheritance. The play’s dramatic core is fueled by familial bonds colliding with financial interests.
The set design is by Citronelle Dufay, lighting is handled by Denis Koransky, and costumes are created by Noémie Balayre. The musical score is composed by Mehdi Bourayou and Laurent Guillet, with César Duminil serving as assistant director. Toute la famille que j’aime is currently running at the Théâtre des Variétés.
The production arrives as Parisian theaters continue to offer a diverse program at the start of the year. The Théâtre des Bouffes Parisiens is also currently hosting “This is Love,” featuring Josiane Balasko, Marilou Berry, and Riad Gahmi. This dramatic comedy explores the complexities of mother-daughter relationships, old wounds, and imperfect love, unfolding during a Christmas dinner where unexpected revelations disrupt a family’s fragile balance. The play runs from to , 2026.
Another offering, “Part Two,” is playing at the Théâtre Édouard VII from to , 2026. This comedy stars Patrick Bruel, Stéphane Freiss, and Marine Delterme. The plot revolves around Carole and Vincent, a married couple of thirty years whose lives are upended by a man claiming intimate knowledge of their relationship. The play explores the hidden secrets and surprises within long-term marriages, oscillating between laughter and emotion as it examines the impact of time and perceived final choices.
These productions represent a range of contemporary comedies and dramatic works available to Parisian theatergoers. The selection highlights the accessibility and richness of the Parisian stage, offering options for cultural evenings, shared experiences, and moments of reflection.
The trend towards comedies exploring family dynamics is particularly notable. “All the Family I Love” and “This is Love” both center on the often-fraught relationships within families, using humor and drama to examine themes of inheritance, maternal bonds, and the secrets that shape familial connections. “Part Two” offers a different perspective, focusing on the complexities of a long-term marital relationship and the potential for unexpected revelations.
The involvement of established actors like Michel Boujenah, Josiane Balasko, Patrick Bruel, and Marine Delterme is likely to draw audiences. Boujenah’s presence in “All the Family I Love” is a key draw, given his established reputation in French comedy. Similarly, Balasko and Berry’s pairing in “This is Love” promises a compelling dynamic, while Bruel and Delterme bring star power to “Part Two.”
The choice of venues – Théâtre des Variétés, Théâtre des Bouffes Parisiens, and Théâtre Édouard VII – also speaks to the diverse landscape of Parisian theater. Each venue has its own history and character, contributing to the overall theatrical experience. The Théâtre des Variétés, for example, is known for its intimate setting, while the Théâtre Édouard VII is a more traditional grand theater.
The timing of these productions, at the start of the year, suggests a deliberate effort to capitalize on the post-holiday season and offer audiences a cultural escape. The runs extend through the spring, providing ample opportunity for theatergoers to experience these plays. The variety of themes and styles ensures there’s something to appeal to a broad range of tastes.