Muerta de Amor Review: Flamenco & Kilts – Compañía Manuel Liñán
Manuel Liñán Explores Love and Desire in ‘muerta de Amor’
Updated June 04, 2025
Manuel Liñán, known for challenging gender norms in flamenco, presents ‘Muerta de Amor,’ a work exploring desire, vulnerability, and passion. The production follows his acclaimed show ¡Viva!, where an all-male company donned traditional women’s flamenco dresses. This time, the costumes feature sleek, black, fashion-forward designs, including sheer tops and leather jackets.
The dynamic cast, including six dancers and a band, is joined by singer Mara Rey, known for her powerful vocals. In ‘Muerta de Amor,’ everyone sings,creating a series of monologues that enhance the show’s emotional depth.The performance pulses with physical and emotional intensity, underscored by moments of humor and angst. The innovative flamenco choreography and striking visuals make this a must-see performance.
The dancing is a highlight, showcasing the chemistry between Liñán and Miguel Heredia, as well as the balletic style of José Ángel Capel. Juan Tomás de la Molia’s intricate footwork and a tender duet between liñán and Alberto Sellés further enrich the performance. Liñán’s ability to create specific gestures and hold back movement adds depth to the overall experience of exploring love and desire.
Anyone, provided that thay love me.
What’s next
while the show risks being excessive in it’s final section, this aligns with its central theme: a raw and honest exploration of pleasure, ego, and neediness in the context of love and relationships. Audiences can anticipate further exploration of these themes in Liñán’s future works.