The music landscape continues its relentless churn, offering a diverse array of new sounds for listeners to explore. This week brings a compelling mix of established artists revisiting familiar territory and emerging voices staking their claim. From indie singer-songwriters to experimental rappers and veteran rock acts, the breadth of releases underscores the vibrant, ever-evolving nature of the industry.
Indie Reflections and New Beginnings
Philly-based artist Abi Reimold is set to release her first album in a decade, , with the single “Drinking Song” offering a gentle introduction to the forthcoming project, Picking Stones. The track’s soaring quality hints at a deeply personal and emotionally resonant collection.
More eaze’s new album, sentence structure in the country, is already generating buzz, and the single “healing attempt” provides a window into the album’s core themes. As eaze explains, the song explores the tension between navigating daily life and confronting underlying trauma, a sentiment amplified by a collaboration with Wendy Eisenberg. The artist consciously drew inspiration from acts like Scritti Politti, High Llamas, and The Sea and Cake, embracing a sonic palette previously unexplored. The collaboration with Eisenberg, born from a burgeoning romance, appears to have unlocked a new creative freedom.
Robber Robber’s new single, “Watch for Infection,” from the upcoming album Two Wheels Move the Soul, out , delves into themes of self-care and resilience. Nina Cates describes the song as an “internal dialogue,” a reminder to prioritize well-being and avoid succumbing to negativity. The track promises a blend of real emotion and fictional storytelling.
Genre-Bending and Collaborative Efforts
NYC dance duo Fcukers are preparing to release their debut album, and the single “BEATBACK” offers a taste of their millennium-era club-inspired sound. The track suggests a nostalgic yet forward-thinking approach to dance music.
Mariachi el Bronx is poised to release their first album in twelve years, and “Songbird” serves as a final preview before its arrival this Friday. Director Blaise Cepis aimed to capture the spirit of late-night music television with the accompanying video, drawing inspiration from shows like 120 Minutes and Headbangers Ball. The band’s willingness to embrace Cepis’s vision, including the use of double exposure and an indoor pool shoot, speaks to a collaborative and creatively adventurous spirit.
Bonnie ‘Prince’ Billy (Will Oldham) offers a deeply personal offering with “Hey Little,” a song originally written for another artist but reimagined in light of his own experiences as a father. The track features contributions from Catherine Irwin and Thomas Deakin, and incorporates unexpected elements like live goats in the music video, reflecting Oldham’s penchant for the unconventional.
Established Acts and Fresh Perspectives
The New Pornographers are gearing up to release The Former Site Of on , and “Pure Sticker Shock” raises questions about value and perception. AC Newman’s lyrics challenge listeners to consider what truly holds worth in a world increasingly driven by market forces.
GUM, the project of Jay Watson (also of Pond and Tame Impala), is set to release his seventh album, Blue Gum Way, on . The first single, “CELLULOID,” explores the anxieties and distractions of modern life, referencing “brain rot” and the allure of blue screen light.
Ora Cogan’s upcoming album for Sacred Bones, Hard Hearted Woman, is previewed by the dark and vibey single “DIVISION,” a collaboration with Micah Henry and Paloma Ruiz-Hernandez on the video direction.
Underground Sounds and Hard-Hitting Releases
UK rapper Feng will release his debut album, Weekend Rockstar, this Friday, with “J*b” offering a glimpse into his hazy and atmospheric style.
Plato III remixes “Let’s Get Old,” adding a verse from Open Mike Eagle to the original song’s somber indie pop foundation.
Experimental rapper Sideshow shares another taste of Tigray Funk with the single “ALENA(ኣለና)PARADISE LOST.”
Seattle punks Filth Is Eternal are exploring new sonic territory with “Long Way,” a track that showcases a more melodic direction than their previous work, taken from the album Impossible World.
Deathcrash’s third album, Somersaults, is nearing release, and “NYC” provides another preview of their slowcore-ish sound.
Heavy Hitters and Rising Stars
Knocked Loose has teamed up with rapper Denzel Curry for “Hive Mind,” their first new song since 2024’s You Won’t Go Before You’re Supposed To. The collaboration signals a willingness to push boundaries and explore new sonic landscapes.
MUNA announced their fourth album and shared the title track, “DANCING ON THE WALL,” promising a continuation of their emotionally resonant and sonically adventurous work.
49 Winchester’s new album, Change of Plans, due on , marks their first release with a major label, Lucille Records / MCA, and was produced by Dave Cobb.
Anjimile offers a second preview of his new album with “Waits For Me.”
Corrosion of Conformity is releasing a double album, Good God / Baad Man, on , their first in seven years and the first since the passing of drummer Reed Mullin. The single “GIMME SOME MOORE” features a contribution from Ministry’s Al Jourgensen and Madonna’s guitarist.
waterbaby’s debut full-length is preceded by the single “CLAY,” a collaboration with TTOH.
Lip Critic has announced a new album, Theft World, and shared the single “LEGS IN A SNARE.”
White Fence, led by Tim Presley, is returning with a new album, Orange, on , produced in collaboration with Ty Segall.
This week’s releases demonstrate the continued vitality and diversity of the music industry, offering something for every listener. From established artists refining their sound to emerging voices breaking new ground, the constant flow of new music ensures a dynamic and engaging landscape for fans and critics alike.
