Patrick Watson: Covid Hit, Spotify Record & New Music
Patrick Watson’s “Je Te Laisserai Des mots”: A String Quartet’s Journey from Intimate Sessions to TikTok Stardom
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Patrick Watson’s poignant French ballad, “Je Te Laisserai Des Mots,” has captured hearts worldwide, but for the string quartet who played alongside him for 15 years, its journey from a private jam session to a viral sensation is a deeply personal story of friendship, shared creativity, and unexpected fame.
The “Mommies on the Run” and a French Faux Pas
Mélanie Vaugeois, the violinist in the quartet, fondly recalls the early days of touring with Watson. “Our kids were quite young,” she explains, “so Patrick named us Mommies on the Run. We were his first experiment with a string quartet but after a while on tour we were wilder than him. We’d shout: ‘No kids!'”
The quartet’s bond with Watson was forged in intimate settings, often at his home. “We’d go to Patrick’s place and you’d put your violin case on the ping-pong table,” Vaugeois reminisces. “Patrick would play on the piano and we’d improvise around that.” It was during one of these sessions that Watson unveiled his French song. “He speaks French very well but had never sung in it and there were a lot of mistakes in the pronunciation, but they were part of the charm so he kept them in.”
The recording of “je Te Laisserai Des Mots” was a memorable affair, fueled by camaraderie and a touch of whiskey. “We tried for a long time to find the right notes and got a little drunk,” Vaugeois admits with a laugh. “Everything was starting to slide when suddenly it all just fell into place.” The song’s unique, almost rhythm-less quality, Vaugeois notes, is part of its undeniable charm.
The true explosion of the song’s popularity, though, came during the pandemic.”It’s a lovely song that makes your heart melt, and during the pandemic, when we were all very lonely, it touched a lot of people’s hearts,” she says. Vaugeois’s first inkling of its widespread appeal came from an unexpected source: her children. “I first became aware that it was taking off when my kids were on TikTok and I heard the song. I went: ‘That’s my quartet!’ They couldn’t believe it. They told me: ‘That song’s everywhere.'”
Despite not being contractually obligated to share songwriting royalties, Watson’s generosity has ensured the quartet feels valued. “Every year he gives us a symbolic amount to show his gratitude, which is really nice and shows that he respects the fact that people pulling together in that moment created something special,” Vaugeois shares. This gesture underscores the deep respect and appreciation that exists between Watson and his long-time collaborators, a testament to the enduring power of shared artistic experiences.
Patrick Watson’s new album, Uh Oh, is released in the UK on 26 September. He plays the Troxy, London, on 7 November.
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