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Red Ink Movie: Siobhan Fallon Hogan & Toby Leonard Moore on Set

Syracuse, New York is experiencing an unexpected boom in film production, and it’s all thanks to “Red Ink,” a new thriller poised to launch a potential franchise. The film, currently in post-production, is already generating buzz not just for its intriguing premise, but for the impressive ensemble cast it has assembled.

Set in 1949 New York, “Red Ink” follows Bob Hoover, the editor-in-chief of the respected Verity Press, played by Toby Leonard Moore (known for his role in “John Wick”). As Moore’s character races to report on a mysterious affliction sweeping through the city, his photojournalist niece discovers a disturbing anomaly: those affected don’t register on film. The film explores themes of media manipulation, institutional power, and the anxieties surrounding a looming global virus – a narrative that feels particularly resonant even decades later.

The project’s unique approach to storytelling is also drawing attention. Directors Michael Christensen and Benjamin J. Murray are employing uninterrupted, one-shot takes throughout the film, mirroring the urgency of a breaking news story and immersing the audience in the real-time unfolding of events. This ambitious technique, unfolding over a single morning in November 1949 within the Verity Press headquarters, promises a visceral and gripping cinematic experience.

Moore isn’t the only recognizable face attached to “Red Ink.” Siobhan Fallon Hogan (“Men in Black”) also stars, alongside Tommie Earl Jenkins (“Wednesday”) and Eugene Cordero (“Loki”). The supporting cast is equally robust, featuring Rose Reid (“Finding You”), Kyle Selig (“Welcome to Flatch”), Mike Doyle (“Almost Love”), D.B. Sweeney (“The Cutting Edge”), Oona Laurence (“The Beguiled”), Josh Plasse (“iCarly”), Michael Barra (“The Amazing Spider-Man”), Max von Essen (“Dexter: Resurrection”), and Melissa Putterman-Hoffman.

The production’s decision to base itself in Syracuse, rather than the more typical New York City, is a significant win for the central New York film industry. Incline Studios, the New York-based production company behind “Red Ink,” chose the city for its logistical advantages and burgeoning film infrastructure. The film’s presence has injected economic activity into the region and provided opportunities for local crew, and talent.

The story’s focus on a newspaper editor and the challenges of reporting in a time of crisis offers a compelling commentary on the role of the media. Bob Hoover, as described in promotional materials, is a celebrated war photographer whose Pulitzer-winning work shaped public opinion during World War II. His authority and moral compass are tested as he navigates the escalating reports of the mysterious affliction, and the pressure to control the narrative before rivals or government officials can.

The premise of individuals not appearing on film is a particularly intriguing element, hinting at a supernatural or technologically advanced explanation for the affliction. This mystery, combined with the historical setting and the film’s stylistic choices, positions “Red Ink” as a potentially standout entry in the thriller genre.

While details about the specific nature of the “affliction” remain scarce, the film’s exploration of a global virus resonates with contemporary anxieties. The narrative’s interrogation of media propaganda and exploitation adds another layer of complexity, suggesting a story that is both entertaining and thought-provoking.

“Red Ink” is being produced by Ignite Studios, Incline Studios, and Pine Bay Pictures. The film is currently in post-production, with a release date yet to be announced. Given the strong cast, the innovative filmmaking techniques, and the timely themes, “Red Ink” is shaping up to be a significant release for the thriller genre and a potential launching pad for a new franchise.

The choice of Syracuse as a filming location underscores a growing trend of productions looking beyond traditional hubs like Los Angeles and New York. This decentralization of film production offers economic benefits to smaller cities and regions, while also providing filmmakers with access to diverse locations and a fresh perspective.

The film’s success could also pave the way for further investment in the Syracuse film industry, attracting more productions and creating more opportunities for local talent. The combination of a compelling story, a talented cast, and a strategic production location positions “Red Ink” for a strong debut and a potentially long run.

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