Rosemary Standley & Dom La Nena: Their Tree
- Ahead of the release of their third album, the celebrated duo Birds On a Wire is scheduled to perform at the Edwige Feuille Theater in collaboration with renowned...
- Earlier in the years ,in a special show they invited the spectator in a "nocturnal glade strewn with dead leaves, at the foot of a tree that touches...
- Rosemaary's voice, etched with a protean quality, immediately captivates audiences.
Duo Gaspard We Have Wire’s Forthcoming Show at Edwige Feuille Theater is a much anticipated show
Table of Contents
- Duo Gaspard We Have Wire’s Forthcoming Show at Edwige Feuille Theater is a much anticipated show
- American audiences can appreciate the musical prowess and charm of Rosemary Standley and Dom La Nena[[2]More details
Vesoul. EDWIGE FEERCHERE THEATER. February 20, 2025. Birds we have wire. Various works. Scenography: Étienne Saglio. Rosemary Standley, voice and harmonium. Dom La Nena, cello and voice.Ahead of the release of their third album, the celebrated duo Birds On a Wire is scheduled to perform at the Edwige Feuille Theater in collaboration with renowned scenographer Étienne Saglio.
Earlier in the years ,in a special show they invited the spectator in a “nocturnal glade strewn with dead leaves, at the foot of a tree that touches the sky.” In this ethereal setting, Rosemary Standley and Dom La Nena will set up an intriguing instrumentarium: an Indian harmonium for Standley, a cello for La Nena, and an array of percussion instruments for both.
Rosemaary’s voice, etched with a protean quality, immediately captivates audiences. She performs as a part of projects like the group “The Moriarty” and has a keen sense of interpreting songs by artists ranging from Henry Purcell to Cohen and Schubert. There’s a tangible melancholy in her voice, reminiscent of a drizzle in the Iroise Sea, a mist in Connemara, and even a vigil in the American West.
It is in a nocturnal clearing strewn with dead leaves, at the foot of a tree that tuties the sky, that Rosemary Standley and Dom La Nena have decided to install their instrumentarium: an Indian harmonium for one, a cello for the other, some percussion for both.
Dom La Nena’s cello is equally mesmerizing, capable of sustaining interest throughout an entire album, as evidenced in works like her solo piece, “Leon.” La Nena’s cello technique is versatile enough to handle intricate arpeggios, Bach’s suites, and innovative looping techniques. The collaboration between the two musicians results a cohesive musical experience with each song forming a story that captures the listener’s imagination. This is especially evident in the album’s ability to sweep audiences across different eras and styles. The eclectic selection of music includes traditional melodies, folk tunes, and contemporary pieces like Stefano Landi, “Augellin, “and familiar classics like Paul Simon’s “50 Ways to Leave Your Lover” and Bronski Beat’s “Smalltown Boy”.
The duo’s performance will help spectators outside Europe to understand why criticism of “potpourri,” even when renamed “crossover,” can lead to sneers from advocates of original compositions. The impact of their music is due to the versatility of both musicians, which ensures that the performance remains engaging from start to finish. The album show cases Standley who pushes her vocal ranges to unprecedented heights and a receptive audience who identify with this boldness.
Rosemary Standley sometimes pushes his ambitus to the limits of the opera, which suits the one that was recently an astonishing Carmen in a show where François Gremaud had brilliantly sing all the roles of Bizet’s masterpiece.
When the duo’s dynamic vocals fail to deliver, however, such as on January 2. Rosemary Standley et D)LNena went down a slight substandard delivery until the audience laugh and notice that Bromley is located a few kilometers away, it is a turning point due to sound audio error the initial problem was resolved and the remaining show was a great crowd puller. The show ran the whole period of the festival. The duet continued to break hearts with their incredible musical prowess not to mention that their leader shines with melodious voices and unmistakable Cockney accent.
“We are for decor and believe in the possibility of making a unique theatre to go much further than a performance,”Summarized Saglio, A hearing aid technician. Dominga’s artistry in design, staging, and overall direction, or even just knowing how to manipulate audience expectations, her own solo work was just as much of a captivating sensation to watch, displaying that remarkable stage presence beyond her musicianship.
For American audiences in particular and let to respec, Being captivated by the harmonic fusion of bird’s voice and wood, this Sare sound, and wind will enchant all in it’s unique presence. While cousin instruments will continue to prove an amazing ride of wholesomness and pure bliss. that a duo of artists is giving out.
The duo focuses primarily on the purity of sound, harmonious fusion without using any combination that is close to let them reach the absolute power of sound.Photographic credit: © Jeremiah
More details
Vesoul. EDWIGE FEERCHERE THEATER. 20-February 2023. Birds We Have Wire. Various works. Scenography: Étienne Saglio. Rosemary Standley, voice and harmonium. Dom La Nena, cello and voice.Q&A on Duo Gaspard We Have Wire’s Upcoming Show at Edwige Feuille Theater
Who are Rosemary Standley and Dom La Nena, and what makes their music special?
- What can audiences expect from Birds On a wire’s performance at the Edwige Feuille Theater?
- How does Étienne Saglio contribute to the Birds On a Wire show?
- Why is Birds On a Wire’s music considered versatile and impactful?
- How does rosemary Standley’s vocal range contribute to the Birds On a Wire experience?
- How do technical challenges influence the performance dynamics of Birds On a Wire?
- American audiences can appreciate the musical prowess and charm of Rosemary Standley and Dom La Nena[[2]More details
American audiences can appreciate the musical prowess and charm of Rosemary Standley and Dom La Nena[[2]More details
Vesoul. EDWIGE FEERCHERE THEATER. February 20, 2025. Birds we have wire. Various works. Scenography: Étienne Saglio. Rosemary Standley, voice and harmonium. Dom La Nena, cello and voice.
Ahead of the release of their third album, the celebrated duo Birds On a Wire is scheduled to perform at the Edwige Feuille Theater in collaboration with renowned scenographer Étienne Saglio.
Earlier in the years ,in a special show they invited the spectator in a “nocturnal glade strewn with dead leaves, at the foot of a tree that touches the sky.” In this ethereal setting, Rosemary Standley and Dom La Nena will set up an intriguing instrumentarium: an Indian harmonium for Standley, a cello for La Nena, and an array of percussion instruments for both.
Rosemaary’s voice, etched with a protean quality, immediately captivates audiences. She performs as a part of projects like the group “The Moriarty” and has a keen sense of interpreting songs by artists ranging from Henry Purcell to Cohen and Schubert. There’s a tangible melancholy in her voice, reminiscent of a drizzle in the Iroise Sea, a mist in Connemara, and even a vigil in the American West.
It is in a nocturnal clearing strewn with dead leaves, at the foot of a tree that tuties the sky, that Rosemary Standley and Dom La Nena have decided to install their instrumentarium: an Indian harmonium for one, a cello for the other, some percussion for both.
Dom La Nena’s cello is equally mesmerizing, capable of sustaining interest throughout an entire album, as evidenced in works like her solo piece, “Leon.” La Nena’s cello technique is versatile enough to handle intricate arpeggios, Bach’s suites, and innovative looping techniques. The collaboration between the two musicians results a cohesive musical experience with each song forming a story that captures the listener’s imagination. This is especially evident in the album’s ability to sweep audiences across different eras and styles. The eclectic selection of music includes traditional melodies, folk tunes, and contemporary pieces like Stefano Landi, “Augellin, “and familiar classics like Paul Simon’s “50 Ways to Leave Your Lover” and Bronski Beat’s “Smalltown Boy”.
The duo’s performance will help spectators outside Europe to understand why criticism of “potpourri,” even when renamed “crossover,” can lead to sneers from advocates of original compositions. The impact of their music is due to the versatility of both musicians, which ensures that the performance remains engaging from start to finish. The album show cases Standley who pushes her vocal ranges to unprecedented heights and a receptive audience who identify with this boldness.
Rosemary Standley sometimes pushes his ambitus to the limits of the opera, which suits the one that was recently an astonishing Carmen in a show where François Gremaud had brilliantly sing all the roles of Bizet’s masterpiece.
When the duo’s dynamic vocals fail to deliver, however, such as on January 2. Rosemary Standley et D)LNena went down a slight substandard delivery until the audience laugh and notice that Bromley is located a few kilometers away, it is a turning point due to sound audio error the initial problem was resolved and the remaining show was a great crowd puller. The show ran the whole period of the festival. The duet continued to break hearts with their incredible musical prowess not to mention that their leader shines with melodious voices and unmistakable Cockney accent.
“We are for decor and believe in the possibility of making a unique theatre to go much further than a performance,”Summarized Saglio, A hearing aid technician. Dominga’s artistry in design, staging, and overall direction, or even just knowing how to manipulate audience expectations, her own solo work was just as much of a captivating sensation to watch, displaying that remarkable stage presence beyond her musicianship.
For American audiences in particular and let to respec, Being captivated by the harmonic fusion of bird’s voice and wood, this Sare sound, and wind will enchant all in it’s unique presence. While cousin instruments will continue to prove an amazing ride of wholesomness and pure bliss. that a duo of artists is giving out.
The duo focuses primarily on the purity of sound, harmonious fusion without using any combination that is close to let them reach the absolute power of sound.