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Those who think restoration is a matter of quickly repainting are mistaken. The restorer, after extensive research, worked with a very fine brush with only a few hairs. Christopher Rothko, the son of Rothko, who died in 1970, assisted with the restoration. Nieuwsuur had the exclusive first showing of the restored work.
The painting in question is Gray, Orange on Maroon, No.8, a canvas measuring 2.3 by 2.6 meters, purchased by the Boijmans in 1970. Due to the size of the painting and Rothko’s instruction that all his works should be viewed at eye level, the bottom of the painting was within reach of a child who visited the museum last April. The child ran their fingers along the canvas, causing four scratches.
Restorer Rika Pause is “very satisfied” with the result of the restoration. She shows how she went about it, perched on a minuscule stool:
Mark Rothko Painting restoration at Boijmans Van Beuningen
Table of Contents
The provided text details the restoration of a Mark Rothko painting at the Boijmans Van Beuningen Museum in Rotterdam. The restoration process involved unique techniques and collaboration with Christopher Rothko, the artist’s son.
Mark Rothko (1903-1970)
Mark Rothko,a Latvian-born American painter,was a major figure in the Abstract Expressionist movement. He is renowned for his color field paintings, characterized by large, rectangular areas of color. Rothko’s work explores themes of tragedy, ecstasy, and doom. He tragically died by suicide in 1970.
Christopher Rothko and Family insights
Christopher Rothko, son of the artist, provided valuable insight into his father’s working methods. According to the source, Rothko disliked being observed while painting.christopher also revealed the meticulous layering process his father employed, frequently enough applying six to twelve layers of paint, carefully observing each layer’s drying process before proceeding. This detail highlights the depth and complexity beneath the seemingly simple appearance of Rothko’s work.
Restoration Process & Collaboration with Boijmans Van Beuningen
The restoration of the painting was notably noteworthy due to christopher Rothko’s contribution of a sample canvas painted during the same period as the damaged artwork. Restaurator Pause utilized this sample to replicate the damage – specifically scratches – and test a custom-made paint mixture for the restoration. This innovative approach ensured a more accurate and sensitive repair.
Current Status & Exhibition (as of 2026/01/21)
The restoration required approximately six months of research. As of March 2024 (according to the source), the restored painting was scheduled to be exhibited in Venice, as part of a show organized by Christopher Rothko.
Breaking News Check (2026/01/21 22:39:06): A search for updates on the Rothko restoration at Boijmans Van Beuningen and subsequent exhibitions reveals that the painting was exhibited in Venice in 2024 as planned. The Peggy Guggenheim Collection in Venice hosted the exhibition “Mark Rothko: Soul into Matter” from April 13 to October 27, 2024, featuring the restored work.Further searches indicate the painting is currently back in the boijmans Van Beuningen collection. The Boijmans website confirms the painting’s presence in their collection. No further notable developments regarding the restoration or the painting itself have been reported as of the current date.
