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Sly Dunbar: Reggae Drummer Dies at 73

Sly ⁤Dunbar,the legendary Jamaican drummer who helped steer reggae‘s modern evolution⁢ while providing the backbeat to countless recordings, has died. He was 73.

Dunbar’s wife, ​Thelma, confirmed his death to Jamaican newspaper The Gleaner. ⁣”About seven⁤ o’clock this morning I‍ went to wake​ him up and he wasn’t responding, I called the doctor and ‌that was the news,” she said. An exact​ cause of death was not given, though Dunbar had reportedly‍ been ill for some time. 

“Yesterday was such a good day for him,” Thelma said. ‌”He had friends come over to visit him and we all had such a‌ good⁣ time. He ate well yesterday … sometimes he’s not into food. I knew he was sick … but I didn’t know that he was this sick.”

Dunbar was just 15 when ⁣he joined his first band ‍and ⁣recorded his initial song. It marked the start of a prolific and‍ deeply influential career, with Dunbar earning worldwide acclaim​ for ‌his work alongside‌ bassist Robbie Shakespeare (who died ⁤in 2021). It’s been estimated that, over the decades, Sly and Robbie played on more than 200,000 recordings, including the ⁢original ⁣tracks,⁤ remixes, and the numerous songs that have ⁤sampled their work.

As ⁣the ⁤rhythm section (and production‍ duo) Sly and Robbie, the ⁣pair played on reggae classics by Black Uhuru, Jimmy Cliff, and Peter Tosh, developing a ⁤reputation that would garner them ‍work with the⁣ likes of Bob Dylan, Grace Jones, and the Rolling⁢ Stones. Sly and Robbie also released numerous albums of their own, ‍and played a crucial role in ​pushing reggae into the future with their ⁢adoption of electronic instruments and more syncopated rhythms.

LIn 2021, dunbar explained how the rockers beat was partly inspired by all⁢ the⁢ funk and disco he and Shakespeare were listening to during the⁢ late Seventies,⁢ as well as their tour with Tosh (opening for‍ the Rolling ⁤Stones) in 1978. During that run,Dunbar said,the pair “discovered our‍ fears,and we had to change and try to get some energy in reggae because the‍ one drop was a bit light playing indoors in a‌ big arena,a big stadium… When we come back to Jamaica,now,we started experimenting with the open snare thing with the Black Uhuru,and the snare came alive.” 

That more energetic sound defined Sly and ​Robbie’s work⁤ with Black Uhuru, with whom they linked in the late Seventies as both rhythm section and producers. With Sly ⁤and Robbie’s backing, Black Uhuru released several successful albums, including Red, Guess Who’s Coming to Dinner, and Anthem, which won the inaugural Grammy⁣ for Best Reggae Album in 1985.

Black Uhuru’s success also led to greater recognition ​- and⁤ more work – for Sly and Robbie,as both‌ producers and session musicians. They worked on several⁣ albums with Jones, including her 1981 genre-smashing classic, Nightclubbing, and ⁤played on ⁣three Dylan records, including 1983’s Infidels. They also recorded with Mick Jagger, the⁢ Stones, Yoko Ono, Jackson Browne, Joe Cocker, Ian Dury, and Carly Simon. Sly and Robbie‌ released several albums‌ of their own, too, including 1987’s seminal Rhythm Killers

During the Eighties,Dunbar started incorporating electronic drums and samplers into his work. Speaking at‍ a Red Bull Music Academy

Okay, here’s an adversarial ​research breakdown of the provided text, adhering to the‌ strict instructions. ​ ⁢I​ will focus on verifying ⁤claims and⁣ seeking contradictory‍ information.I⁤ will not ⁤ rewrite or paraphrase the source text itself.

Source Text⁢ Summary:

The text discusses the influence of Sly and Robbie,particularly ⁢their creation​ of the “Bam Bam” ⁤riddim in‌ the early 1990s,which was foundational to early dancehall. It details their work with various artists (dancehall and beyond) and their⁣ Grammy win in 1999. It also includes a quote ​from Sly Dunbar about his drumming approach – a focus on innovation and finding a unique ​sound.

PHASE 1:⁣ ADVERSARIAL RESEARCH & FACT CHECKING

1. “Bam‌ Bam” Riddim & Early 90s Influence:

* ‌ Claim: Sly and Robbie created the “Bam Bam” riddim in the early ​90s with a guitar loop⁤ and programmed drums, lacking a bassline. It was highly influential.
* Verification: The Rolling⁢ Stone link provided (https://www.rollingstone.com/music/music-lists/best-reggae-riddims-1234951483/bam-bam-1992-1234951816/) confirms this. ⁤It states the riddim was released in 1992 and was‍ hugely influential.Multiple sources corroborate the riddim’s importance in dancehall history.
* Contradiction⁣ Search: No immediate contradictions⁣ found. The date and core description are‍ consistently reported.
* ⁢ Further Research: Searching for the original recording session details or early press coverage of the⁢ riddim⁣ could provide‍ more⁢ nuance.

2.⁣ ‌Dancehall Hits Built on “Bam bam”:

* ​ Claim: The riddim served as the foundation for Chaka Demus ‌and Pliers’ “Bam Bam” and “Murder She Wrote,” ​as well as Nardo⁤ Ranks’ “Them a bleach.”
* Verification: Confirmed through multiple sources. ⁣Discogs (https://www.discogs.com/master/284499-Various-Bam-Bam) lists these​ tracks as versions built on the‌ riddim.YouTube searches for these songs confirm they utilize the same instrumental foundation.
* Contradiction Search: ​ No contradictions found.
* Further Research: Investigating the specific ​licensing or production agreements for these‍ tracks could be interesting.

3. Sly ‍& Robbie’s Subsequent Work:

* Claim: Sly and Robbie worked with Shabba Ranks,Simply red,Cutty Ranks,Beenie Man,No Doubt,Sinéad O’Connor,and Marianne Faithful.
*‌ ⁤ ​ Verification: This is largely verifiable. discographies for these artists (e.g., AllMusic,⁢ Wikipedia) show⁢ Sly & Robbie credits on albums by Shabba Ranks, Simply Red, and others. However, the extent of their involvement varies (full production vs. specific ‍tracks).
* Contradiction ⁢Search: Some sources might downplay Sly & Robbie’s role on certain tracks, attributing⁤ more credit to other producers. A detailed ‍track-by-track analysis of these artists’ albums would be needed for complete accuracy.
* Further Research: Interviews with the artists themselves about their experiences working with Sly &⁣ Robbie.

4. 1999 Grammy Win:

* Claim: Sly and Robbie won their second Grammy in 1999 for Best Reggae Album with Friends.
* ⁢ verification: Confirmed by the ⁣Grammy website (https://www.grammy.com/awards/search?artist=sly+and+robbie).Friends won Best Reggae ‌Album in 1999 (42nd Grammy Awards).
* Contradiction Search: No contradictions ‌found.
* Further Research: Reviews of the Friends album to understand its critical reception.

5. Sly Dunbar quote (2012 Interview):

* Claim: Dunbar stated,”When I see the red light,I go for it…I⁢ try​ to be different…

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