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Summon: Write, Don't Assist - News Directory 3

Summon: Write, Don’t Assist

April 21, 2025 Catherine Williams Entertainment
News Context
At a glance
  • SEOUL — A new exhibition at the National Museum of Modern and Contemporary Art, Deoksugung Palace, aims to bring long-forgotten figures of Korean surrealism into the spotlight.
  • Kim Jong-nam's "Confitable Landscape (1967)" exemplifies the dreamlike quality often associated with surrealism.
  • Despite his unique style and dedication ⁣to surrealism, Kim Jong-nam (1914-1986),⁤ who also went by the Japanese⁢ name Manabe Higeo, remained relatively unknown in Korean art history.
Original source: sedaily.com

Korean Modern ⁤Art ⁣Exhibition Spotlights Overlooked Surrealists

Table of Contents

  • Korean Modern ⁤Art ⁣Exhibition Spotlights Overlooked Surrealists
    • Rediscovering Neglected artists
    • Overcoming Undervaluation
  • 한국인이 몰랐던 ‘韓 초현실주의’를 ‍소환하다
    • 숨겨진 초현실주의, 한국⁢ 미술계에 등장
    • 뉴스 듣기 서비스 안내
    • Dable 추천 기사
    • 관련 서비스 이용 안내
    • 외부 ‍링크 및 추천

SEOUL — A new exhibition at the National Museum of Modern and Contemporary Art, Deoksugung Palace, aims to bring long-forgotten figures of Korean surrealism into the spotlight. The exhibition, titled “Surrealism⁤ and ⁣Korean Modern Art,” features the works of six artists, including Kim jong-nam, Kim Wook-gyu, Kim Jong-ha, and Shin Young-heon, whose contributions ‍to the genre have been largely overlooked.

Kim Jong-nam, 'Confitable Landscape ⁣(1967)'
Kim Jong-nam (Manabe Hideo), ‘Confitable Landscape (1967)’. Courtesy of the National Museum of Contemporary Art, Pepper City Museum.

Kim Jong-nam’s “Confitable Landscape (1967)” exemplifies the dreamlike quality often associated with surrealism. the painting depicts a forest scene teeming with hidden⁤ creatures and unusual elements, such as a parachute suspended in a dark turquoise sky. The juxtaposition of ‍these elements creates a sense of tension and ‍mystery.

Despite his unique style and dedication ⁣to surrealism, Kim Jong-nam (1914-1986),⁤ who also went by the Japanese⁢ name Manabe Higeo, remained relatively unknown in Korean art history. His work, characterized by intricate depictions of nature and surrealist motifs, was frequently enough⁤ overshadowed by the dominance of folk ⁢art and abstract expressionism.

This exhibition marks the first time many of⁤ these works have been publicly⁣ displayed in Korea. According to ⁤Park Hye-sung, a researcher at the national museum of Modern ⁢and Contemporary Art, 47 pieces from the museum’s collection are being released, with the majority being newly acquired or photographed, indicating a previous lack of exhibition or loan opportunities.

Rediscovering Neglected artists

The exhibition is the second installment of the “Rediscovery of Modern Artists” series, an initiative by the National museum of Modern and Contemporary Art to highlight artists who‍ have been ⁣neglected in Korean art⁤ history. Following the 2019 exhibition, this year’s showcase ⁤features six artists who persevered in exploring and perfecting their surrealist visions despite facing indifference from the art world.

Exhibition Room View
The ⁤National Museum of Contemporary Art, Deoksugung Palace 4 Exhibition Room, featuring Kim young-hwan’s ‘afternoon of ⁣Ruins (1973)’.Courtesy ⁤of the National Museum of contemporary Art.

Surrealism emerged in Western⁢ Europe in the 1920s, in the aftermath of World War I. Artists sought⁢ to explore the realms of⁣ the irrational and unconscious, challenging the limits ‍of human reason that had lead to the⁢ war. However,‍ surrealist painting, with its unsettling atmosphere,‍ never gained widespread popularity in Korea.

Kim‍ Wook-kyu, 'Untitled (1970s)'
Kim Wook-kyu, ‘Untitled (1970s)’. ⁣Courtesy of the National Museum of Contemporary Art.

Overcoming Undervaluation

The exhibition also ⁣addresses the challenges faced by these artists, whose work was often dismissed as derivative or imitative. Kim Young-hwan (1928-2011), such as, ⁢saw his early work undervalued due to its perceived ‍resemblance to the ⁢work of Giorgio de Chirico. however, Kim continued to pursue his artistic vision, creating paintings characterized ⁤by geometric shapes and ⁤mythological imagery.

Art critic Oh Kwang-soo noted that Kim Young-hwan was one of the few artists in Korea who⁢ remained committed to pure surrealism. Similarly, Kim ‍Wook-kyu⁤ (1911-1990), who hailed from Hamheung, largely remained isolated from the ⁢mainstream art scene. His first solo exhibition was held ⁤posthumously in 1991, a year after his death. The exhibition was made possible by his family, who defied his wishes to have his more than 400 ‍unsigned and untitled works burned.

kim Jong-ha, Cactus (1977)
Kim ⁤Jong-ha, Cactus (1977). Courtesy of the National Museum of Contemporary Art.

The exhibition aims to demonstrate the unique⁤ artistic visions of these forgotten artists. Kim Jong-ha’s “cactus (1977),” which depicts a⁢ cactus with red fruits in⁢ a golden desert, and Park Kwang-ho’s ⁣exploration of unconscious‍ desires through ambiguous objects, are among the works on display. The exhibition also includes surrealist pieces by renowned korean artists such as Lee Joong-seop, Lee Kyeong-dae, Chun Kyung-ja, Kwak In-sik, and Koo bon-chang.

The exhibition runs until July 6th at the National Museum of Modern and Contemporary Art, ⁣Deoksugung Palace.

Okay, I will analyze⁣ the provided JavaScript code and rewrite ⁣it into a professional news article adhering to AP style and semantic HTML5 standards. I will focus on rephrasing and restructuring the content to minimize plagiarism risks and incorporate ⁣stylistic variations.I will also⁤ ensure the code is presented in a way that is understandable and relevant to a news article format.

Rewritten News Article: Facebook ⁣Sharing Functionality and JavaScript ⁤Code Analysis

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javascript
.init({
    appId: '502753547182871',  // Facebook App ID
    cookie: true,
    xfbml: true,
    version: 'v21.0' // API Version
});

FB.AppEvents.logPageView();

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javascript
FB.login(function (response) {
    if (response.authResponse) {
        // Login successful
        var accessToken = response.authResponse.accessToken;
        FB.api(" 'POST', { "id": Link + "&t=" + Title, "scrape": "true", "accesstoken": accessToken }, function (res) {
            // Open share dialog
            window.open(
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                'facebook-share-dialog',
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            );
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}, {
    scope: ''  // No additional permissions requested
});

The ⁢code also includes asynchronous loading of the Facebook SDK, ensuring that the script does not block the rendering of the webpage.

javascript
(function (d, s, id) {
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    js = d.createElement(s); js.id = id;
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    fjs.parentNode.insertBefore(js, fjs);
}(document, 'script', 'facebook-jssdk'));

Along with Facebook sharing, the code provides functionality for sharing content on other social media platforms, including Twitter, KakaoTalk, and Google Plus. the SnsShare function handles the redirection to these platforms.

javascript
function SnsShare(Kind,Link,Title) {
    var Url = "";

    if (Kind == "fb") {
        // Facebook sharing logic (as described above)
        return;
    }
    else if (Kind == "twt") {
        Url = " + Link + "&text=" + title;
    }
    else if (Kind == "kko") {
        Url = " + Link;
    }
    else if (Kind == "gplus") {
        Url = " + Link;
    }

    window.open(Url, "SnsSharePop", "width=500,height=450");
}

Other functions within the code handle saving news⁣ articles, printing articles, and managing audio playback.The SaveNews function uses AJAX to save news data ⁢and track⁣ social media counts. The PrintPop function opens a print-friendly ‍version of the article. ⁤The NewsAudio function manages the playback of audio versions of the news articles.

javascript
function SaveNews(Nid, NClass) {
    setTimeout(function () { openLoading(); }, 1000);
    $("#NewsCountForm input[id=Nid]").val(Nid);
    $("#NewsCountForm input[id=NClass]").val(NClass);
    jAjax("NewsSaveAjax", "/News/NewsView/NewsSave", "NewsCountForm", "Post");
    $("#NewsCountForm input[id=Tool]").val('scrap');
    jAjax("", "/News/NewsView/SnsCount", "NewsCountForm", "Post");
}

function PrintPop(Nid) {
    window.open('/News/NewsView/NewsPrint?Nid=' + Nid, 'popUp', 'width=817,height=800,scrollbars=yes');
}

var audio = new Audio();
var audioCurrentTime = 0;

function newsaudio() {
    var mp3Url = "";
    $.post("/News/NewsView/ChkNovoNews?Nid=" + "2GRLX4HGC6").done(function (data) {
        mp3Url = data;

        if ($(".btnlisten").hasClass('on')) {
            $(".btnlisten, .btnlistenb").removeClass('on');
            $(".btnlisten").text("뉴스듣기");

            audio.pause();
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        } else {
            if (mp3Url != null && mp3Url != "") {       //링크가 있으면 Play
                audio.src = mp3Url

                $(".btnlisten, .btnlistenb").addClass('on');
                $(".btnlisten").text("듣는중");

                if (audioCurrentTime > 0) {
                    audio.currentTime = audioCurrentTime;
                }
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    });
}

the⁢ code provides a comprehensive set of features for sharing ‍and interacting with news content on a web platform. The use of the Facebook SDK, AJAX, and audio playback functionality demonstrates a focus on user engagement and accessibility.

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