Sweden’s Eurovision 2024 Song: Felicia Eriksson Wins Melodifestivalen
Stockholm played host to the grand finale of Melodifestivalen , culminating in the selection of Felicia Eriksson, known to many as her former stage name Fröken Snusk, to represent Sweden at the Eurovision Song Contest in Vienna this May with her song, “My System.” The 24-year-old artist secured both the jury and public vote, marking a significant moment in her burgeoning career.
The victory wasn’t without a touch of drama. Eriksson, who previously competed in Melodifestivalen in 2024 under the name Fröken Snusk with the song “Unga & fria,” reportedly felt unwell leading up to the final performance. According to Swedish outlet Expressen, she was experiencing fever and was forced to skip a press conference on Friday. Her condition hadn’t improved by Saturday morning, with reports indicating she was attempting to conserve her voice in preparation for the live performance.
Despite her illness, Eriksson delivered a performance that resonated with both the Swedish public and the international jury. She amassed a total of 161 points, with 71 from the jury and 90 from the public vote. Greczula finished second with 134 points, and Medina secured third place with 132. The competition included established names like A-Teens and Sanna Nielsen, but it was Eriksson’s “My System” that captured the nation’s attention.
“My System” is a collaborative effort, co-written by Eriksson alongside Audun Agnar Guldbrandsen, Emily Harbakk, Julie Bergan, and Theresa Rex. Bergan, a Norwegian artist, previously shared her excitement about the song’s journey, explaining that it was created during her “Eurodance-era” in 2024 on the island of Iceland. “It’s incredibly special that it landed with Felicia, who is the perfect artist for the song and has truly made it her own,” Bergan stated.
The song itself, according to Eriksson, explores the emotional complexities of infatuation. “I would say the song is very emotional. It’s about someone being stuck in your head or heart. If you have a crush on someone or whatever. You can’t get the person out of your system,” she explained.
Eriksson’s path to Eurovision is a compelling narrative of artistic evolution. She initially gained widespread recognition in Sweden under the moniker Fröken Snusk, achieving significant streaming success with songs in the “EPA-dunk” genre – a uniquely Swedish musical style often associated with modified tractors and youth culture. Her 2022 track, “Rid mig som en dalahäst,” became one of the most streamed songs in the country that year. She continued to build momentum, becoming one of the most booked artists in the Nordic region and ranking as the ninth most streamed artist on Spotify in Sweden in 2023, performing over 300 live shows during that period.
The transition from Fröken Snusk to Felicia represents a deliberate artistic shift. In 2025, she began releasing music under her given name, with her debut single, “Black Widow,” reaching the top three on Spotify’s Swedish chart. This rebranding signaled a desire to explore new sonic territories and present a more refined artistic identity.
Sweden has a rich history of success at the Eurovision Song Contest, and the nation’s selection of Eriksson continues that tradition. Notably, Norwegian artists have also found success on the Swedish Eurovision stage. In 2024, Norwegian duo Marcus and Martinus represented Sweden at the contest, and ABBA’s Anni-Frid Lyngstad, who has Norwegian heritage, famously sang “Waterloo” for Sweden in 1974, securing a landmark victory.
Following her win, Eriksson was asked how she planned to celebrate. Her response, “Drikke så jævlig mye alkohol!” (Drink so damn much alcohol!), captured a moment of raw emotion and relief after a demanding competition and a battle with illness.
The staging of “My System” has also been praised, with Julie Bergan describing it as “completely raw.” She highlighted Eriksson’s vocal performance, the energy of the dancers, and a visually stunning laser show as key elements of the presentation.
As Felicia prepares to represent Sweden in Vienna, the focus will undoubtedly shift to rehearsals and the anticipation of the Eurovision Song Contest. Her journey from the viral success of Fröken Snusk to the national stage of Melodifestivalen and now to the international platform of Eurovision is a testament to her talent, resilience, and evolving artistry. The song has already garnered over six million streams on Spotify in just a few weeks, indicating a strong level of public interest.