Amy Madigan is having a moment. Four decades after her first Oscar nomination for ’s “Twice in a Lifetime,” the veteran actress is back in the awards conversation for her scene-stealing, delightfully unsettling performance as Aunt Gladys in Zach Cregger’s horror film “Weapons.” The journey, she admits, has been a bit of a whirlwind, one fueled by viral fame and a surprising amount of attention.
Madigan discussed her unexpected resurgence, the chaotic energy of the Oscar nominee luncheon, and a decades-old decision to remain silent during a controversial moment at the Academy Awards in a recent interview on The Envelope podcast. The conversation, as described by podcast hosts Kelvin Washington, Yvonne Villarreal, and Mark Olsen, offered a glimpse into a career marked by both highs and lows, and a resilience that has brought her to this point.
The luncheon itself, held at the Beverly Hilton, was described as a uniquely relaxed affair, a space where nominees from all levels of fame found themselves on equal footing. “Everyone’s feeling loose and there are drinks in the afternoon and also, at this point, everyone is a winner,” Olsen explained on the podcast. Villarreal added that the atmosphere was “more subdued” than the Golden Globes, filled with casual interactions and a sense of camaraderie among the nominees.
But the real focus, of course, was Madigan and her portrayal of Aunt Gladys, a character that has captivated audiences and sparked countless online reactions. “I know people really dig the film,” Madigan told Olsen. “It was ‘boom’ the night that we opened.” The role, she explained, allowed her to tap into a playful darkness, a balance between humor and menace that resonated with viewers. “She’s somehow both the funniest and the scariest thing in ‘Weapons’,” Olsen noted.
Madigan’s approach to the character was rooted in a willingness to embrace ambiguity. She resisted providing definitive answers to questions about Gladys’s origins or motivations, preferring to leave room for interpretation. “I don’t want to explain things to you,” she said. “I have my own answers. I like that there’s no big montage explanation of who she is and what she is. She’s just there.” This commitment to mystery, she believes, is part of what makes the character so compelling.
The actress also revealed that Cregger initially approached her with a deeply personal pitch, connecting the film’s themes of grief and addiction to his own experiences. “I think grief is a weapon. I think alcoholism is a weapon,” Madigan said, explaining how Cregger wove these elements into the narrative. “He knew how to make this movie.”
The conversation also touched on a more contentious moment in Madigan’s past: the Academy Awards, when she and her husband, Ed Harris, chose not to applaud the Lifetime Achievement Award presented to Elia Kazan. Madigan explained that the decision stemmed from her father’s experiences covering the McCarthy hearings and her strong feelings about Kazan’s controversial past. “I could not disassociate him naming from his work,” she stated firmly. It was a decision, she acknowledged, that was deeply personal and rooted in her family’s history.
The interview highlighted the challenges faced by women in the industry, particularly as they age. Madigan acknowledged that roles have become less frequent in recent years, but expressed gratitude for the opportunity to play Aunt Gladys. “You’ve got to grab it by the throat,” she said, describing her determination to make the most of this unexpected resurgence.
The fires that ravaged parts of California last year also impacted Madigan personally, leaving her displaced from her home. She described the experience as “crazy making,” and acknowledged the long road to recovery ahead. Despite the upheaval, she remains optimistic, finding solace in her work and the support of her community.
Madigan’s story is one of perseverance, artistic integrity, and a willingness to embrace the unexpected. After decades in the industry, she’s found herself at the center of a cultural moment, thanks to a character who is both terrifying and strangely endearing. And as she navigates award season and the challenges of rebuilding her life, she continues to approach her craft with the same passion and dedication that have defined her career.
The actress also revealed a fondness for staying informed, consuming three newspapers daily – the Washington Post, the New York Times (primarily for sports), and the California section of the Los Angeles Times. While she expressed concern about the future of the Washington Post, she remains a dedicated reader of the L.A. Times’ entertainment coverage, and a loyal follower of its comics section.