Okay, here’s a breakdown of the key information from the provided text, focusing on Jisoo‘s recent streaming record and the complexities of tracking K-pop streaming milestones:
Key Takeaways:
* Jisoo’s Record: Jisoo (of BLACKPINK) has reportedly become the first K-pop artist to surpass 1.5 billion total streams across all her solo releases.This was announced by the data analytics platform, Blissloo.
* “Flower” Success: Her debut solo single, “Flower,” was a massive success, debuting at #1 on the iTunes Top Singles Chart in 40 regions.The music video also topped YouTube Music’s worldwide trending chart in 74 countries and dominated charts in China.
* Multi-Platform Impact: The success of “Flower” demonstrates strong consumption across major music markets (North America, Europe, and Asia).
* Streaming Record Complexity: The article emphasizes that defining “firsts” in K-pop streaming is very arduous due to inconsistent counting methods.
* variations in Counting:
* Lead Artist vs. Collaboration: Some agencies only count streams where an artist is the sole lead,while others include collaborations.
* Versions Included: Some counts include remixes and region-locked streams, others don’t.
* Platform Differences: Different platforms attribute credits (lead vs. feature) differently.
* Geographic Filtering: Some counts exclude streams from certain countries.
* Types of Records: The article outlines different types of streaming records (single-track,cumulative solo totals) and how the counting methods affect them.
* Blissloo Clarification pending: The author reached out to blissloo for details on how they calculated Jisoo’s record, but had not received a response at the time of publication. The assumption is the record is based on streams where Jisoo is credited as the lead or primary artist.
* BLACKPINK’s Continued Success: Jisoo’s solo achievement comes as she continues to be an active member of BLACKPINK, a highly prosperous group.
In essence, the article celebrates Jisoo’s accomplishment while also providing critically important context about the challenges of accurately tracking and comparing streaming numbers in the K-pop industry.
