Tick, tick… Boom! Review: A Theatrical Triumph
- Theatr Clwyd has triumphantly reopened its main auditorium with a bold new production.
- set in 1990s New York, the musical delves into the life of Jonathan, a struggling composer.
- Wasserberg's production highlights the characters' vulnerabilities amid Larson's varied score.
Theatr Clwyd Reopens with Jonathan Larson’s “tick, tick… BOOM!”
Updated June 7, 2025
Theatr Clwyd has triumphantly reopened its main auditorium with a bold new production. Artistic Director Kate Wasserberg chose Jonathan Larson’s memoir musical, “tick, tick… BOOM!,” for her inaugural show. The production underscores the vital need for artistic expression.
set in 1990s New York, the musical delves into the life of Jonathan, a struggling composer. He grapples with unrealized ambitions as he nears 30. His focus on composing a Broadway show strains his relationships with his girlfriend, Susan, and best friend, Michael. The show explores themes of artistic ambition and pre-midlife anxieties.
Wasserberg’s production highlights the characters’ vulnerabilities amid Larson’s varied score. The music ranges from introspective ballads to high-energy rock anthems. The balcony band and cast deliver the score with enthusiasm. Ryan Owen’s portrayal of Jonathan features restless energy and emotional depth. Tarik Frimpong and Christina Modestou offer compelling performances as Michael and Susan, respectively.
The production also showcases technical innovations. Katy Morison’s lighting design and Amy Jane Cook’s set design contribute to the storytelling. Cook’s set pieces evoke various locations, enhancing the play’s narrative.
This is also a soft launch for technical bells and whistles. Katy Morison’s lighting shifts from chill to flare (with a last neon flourish). Amy Jane Cook’s set design inserts evocative sections of rooms and roofs, and is as multitasking as the actors: a diner bar spins to become a BMW.
What’s next
Theatr Clwyd’s successful reopening with “tick, tick… BOOM!” signals a promising future. The production serves as a statement of intent, emphasizing the importance of taking risks in art and theater.
