Toros en Sevilla: Directo y Detalles de la Corrida del Domingo 26 de Abril con Escribano, Moral y Román

The final bullfight of the 2026 Feria de Abril in Seville took place on Sunday, April 26, at the Plaza de la Real Maestranza, featuring matadors Manuel Escribano, Pepe Moral, and Román facing bulls from the renowned Miura ranch. The event marked the fifteenth and last corrida of the festival, drawing a full house as fans gathered to witness the season’s climax.

The bulls, supplied by the Miura ganadería, were noted for their strength and presence, continuing the ranch’s legacy of providing challenging livestock for Seville’s most anticipated fights. According to reports, the animals bore the ranch’s distinctive green and crimson branding, underscoring their origin from one of Spain’s most historic breeding programs.

The fight commenced at the traditional 6:30 p.m. Start time, consistent with the schedule maintained during the early days of the April fair before shifting to 7:00 p.m. In May. The plaza, with a capacity of up to 12,500 spectators, was reported to be at full capacity, with no tickets available for the main seating areas.

Manuel Escribano, known for his daring and intense style, Pepe Moral, praised for his consistency and ability to surprise audiences, and Román, whose technique aligns with the classical bullfighting ideal of “torear como se es,” each took on one of the six Miura bulls. Their performances were described as combining veteran experience with the drive to prove themselves in one of the sport’s most demanding arenas.

The event was broadcast live on Canal Sur Televisión, allowing viewers across Andalusia and beyond to follow the proceedings in real time. The network’s coverage highlighted the cultural significance of the corrida as the closing act of the Feria de Abril, a month-long celebration that has become one of the country’s most important bullfighting festivals.

Attendees included longtime aficionados and first-time visitors, many of whom had followed the festival’s progression throughout April, during which over 200,000 people were estimated to have participated in bullfighting-related events. The atmosphere reflected both the excitement of a finale and the respect for the tradition’s risks, recalling past incidents such as the goring of Andrés Roca Rey and the injury to Morante de la Puebla, which have shaped recent narratives in the sport.

As the sun set over the Guadalquivir River, the Maestranza once again became the focal point of Andalusian cultural life, hosting a spectacle that blends art, courage, and controversy. The outcome of the fight — whether any of the matadors would earn ears or exit through the Puerta del Príncipe — remained uncertain until the final moments, adding to the anticipation that defines live bullfighting.