Ultimate Spinach: The Psychedelic Band’s Journey to Rival Laurel Canyon
Ultimate Spinach: The East Coast’s Psychedelic Answer to Laurel Canyon
In the late 1960s, Laurel Canyon, California became a center of musical creativity. Influential artists like Joni Mitchell, Jim Morrison, and Crosby, Stills, Nash & Young shaped its identity. Despite this, bands from other regions aimed to carve their niche in the emerging psychedelic scene. One such band was Ultimate Spinach, hailing from Boston, Massachusetts.
Ultimate Spinach sought to reflect the vibrant atmosphere of Laurel Canyon. The band’s sound, while distinct, connected to the psychedelic movement flourishing on the West Coast. Their name originated from an acid-fueled moment experienced by founding member Ian Bruce-Douglas, who proclaimed, “I am ultimate spinach.”
The band formed with Ian Bruce-Douglas, Barbara Hudson, Keith Lahteinen, Geoff Winthrop, and Richard Nese. They embodied the promising energy of an era defined by the ‘Bosstown Sound.’ Their self-titled debut album, released in 1968, generated excitement. This anti-war concept album is still celebrated as a psychedelic classic.
Despite their initial success, Ultimate Spinach struggled to maintain momentum with subsequent albums. Their second album, Behold & See, did not reach the same level of acclaim, conveying a sense of resignation. This trend continued with their final album, Ultimate Spinach III.
Internal conflicts and a lack of clear vision plagued the band. After Bruce-Douglas’s departure, the remaining members found it challenging to stay united. Consequently, Ultimate Spinach disbanded after their third album.
Though they aimed to rival the Laurel Canyon scene, their efforts fell short. Ultimate Spinach remains a notable example of the diverse musical landscape in the 1960s, illustrating how creativity flourished, even if it ultimately faded.
