Uncle Murda Slams Gucci Mane Over Pooh Shiesty Legal Drama

Uncle Murda has publicly criticized Gucci Mane following the release of Gucci’s diss track “Crash Dummy,” which addresses the alleged kidnapping and robbery incident involving Pooh Shiesty and associates. Speaking on the podcast The Real Report, Uncle Murda accused Gucci Mane of betraying his street credibility by cooperating with authorities and releasing music that he interprets as an admission of guilt under duress.

Uncle Murda expressed sympathy for Pooh Shiesty and others connected to the case, stating, “I feel bad for Pooh Shiesty and Big30, and all them n****s, and all them n****s that Gucci misled.” He questioned how many individuals Gucci had influenced to engage in criminal activity, only to now distance himself from that past by sounding like a civilian after facing legal pressure.

The controversy intensified after Gucci Mane released “Crash Dummy,” a track produced by Zaytoven, in which he references the alleged incident. Lyrics from the song include: “Tell the truth, you went out like a real crash dummy, and after all that, boy, you still signed to me. I walk in the room, you can feel the pressure building / N***a dapped me up there, whole time they plotting against me.” Uncle Murda interpreted these lines as evidence that Gucci felt pressured to act against his artistic persona.

Uncle Murda condemned Gucci’s actions as inauthentic, declaring, “You can’t sound like a civilian after being a gangsta for 20-something years.” He argued that Gucci’s recent behavior contradicts his long-standing image in hip-hop culture, stating, “Some street sh*t happened to this n***a, now he want to sound like a civilian.”

In a blunt assessment, Uncle Murda dismissed any potential excuses for Gucci’s conduct, saying, “Get the f**k out of here, man. Gucci a sucka. That sh*t he did with some sucka sh*t. I don’t feel like that. There’s no passes, no excuses. So I’m not going to sit up here and give you no f***ing scenario about Keyshia [Ka’Oir] and this and — No, all that sh*t was some corny sh*t, Gucci. It was some sucka sh*t.”

The exchange highlights ongoing tensions within hip-hop regarding accountability, artistic integrity, and responses to legal entanglements. Uncle Murda’s comments reflect broader skepticism about artists who transition from street narratives to cooperative stances with law enforcement, particularly when such shifts coincide with public legal disputes involving former collaborators.