Unveiling the Truth: Exclusive Insights into Mauritian Politics with Dimans

Politics is not his strong point for our guest, however it is more the turntables, the mixing desks, even the lenses of the photography cameras.

Despite a family background close to politics in the 1980s, he was very young and experienced the period of the neighborhood club called “Club Frakas” in Beau-Bassin.

At a very young age as a disc jockey, he experienced the transition between orchestras and dee-jays in the years 1990-1995 with the sounds of Karl Brasse’s guitar, Mario Armel’s songs then the audio cassettes of Natir Chamarel, Kaya, Dance Masters, Ras Natty Baby and others still meeting them more than forty years later.

But the situation is very different now that COVID-19 is over, concerts have fallen by the wayside for the reasons that everyone now knows everyone, artists who are forced to do their jobs in restaurants and others to please their audiences.

Despite the different wishes, the One Stop Shop of the supervisory ministry has become zero stop, because everything is at the same place. He wonders who the gravedigger is?

The Status of Artist Act, MASA, will need to review everything and put artists at the head of its institutions governed by laws in order to escape the almost deafening silence of musical activities, but the famous fancy fairs of the different parishes remain.

On a pilgrimage with the Artists’ Union, our guest gives and shares with political leaders to promote the words and actions of artists with the aim of getting more than concerts in stadiums, but endowments like a pension for artists, all artists, not a license to practice for three years but for life, once an Artist, always an Artist.

C’est le Dimans Politik de Roshan Boolkah (DJ Master Krazy)